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items: OUTAGE - Sorry, it's AMAZINGLY windy here...
items: Re: OUTAGE - Sorry, it's AMAZINGLY windy here...

OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: going to be slammed for the next 10 days (including this and next weekend) The dust here will have settled by the time you get to Austin and unpack. Have a safe trip man, Deej "Jeff Hoover" <<a href="mailto:jkhoover&#
creator: Kim
date: 2007-07-31T13:23:25-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: mix/best mastering" kind of combination and vote on it, "Aja" just might win. Freakin' GREAT sounds on every single instrument in there, as pertains to the genre being recorded, NOTHING comes across as abrasive, yet it's not so homogenized as to not grab your attention, either (we've all heard mixes like that, right?). Although, I must say "My Old School" rocks almost as hot in that same voting contest. :D (Yes, I'm currently in a Steely Dan mode - gotta get some breathing space from the numetal stuff i've been spending so much time on lately! lol) Roger Nichols gets most of the credit for all the Steely Dan stuff, but as I understand it, Elliot Scheiner really did most of the basic tracks recording & also the mixdowns, so maybe he's really the unsung hero here. Not sure if this applies to Aja, as well, but nonetheless... ....GO LISTEN TO "AJA"!!!! NeilDo you guys think PCI audio cards will be phased out in a few years for FW 3.2GHz and USB 3.0 boxes? http://www.macuser.com/hardware/usb_30_is_gonna_be_4_gbps_bi g_1.php http://lowendmac.com/newsrev/mnr07/0928.html#1 http://blogs.pcworld.com/digitalworld/archives/2007/09/comin g_soonish.html"James McCloskey" <excelsm@hotmail.com> wrote: >Oh noooooooooooooooo!!!!!!!!! : 0 Ahhh shaddup! DCDJ, I'm kinda glad I didn't make it as well. Having weird issues in my arms wih numbing and shooting pains. I'm not that great of a guitarist to start with, but this situation makes it really bad!!! I'll be in touch and see how it's going for both of us in a couple weeks. Jeff > So you're finally out the door eh? That's good. It's also good that you > didn't decide to come this weekend. Everything happened here just about like > I would have predicted in my worst nightmare workwise and I'm going to be > slammed for the next 10 days (including this and next weekend) The dust here > will have settled by the time you get to Austin and unpack. > > Have a safe trip man, > > Deej > > "Jeff Hoover" <jkhoover@excite.com> wrote in message news:…
creator: audioguy_editout_
date: 2007-08-01T01:51:01-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: could POSSIBLY be the best fucking recording EVER. At the very least, it's definitely a candidate, yes? I'm not talking about the whole album (although the whole album is great, really, as everyone knows), I'm talking about the seven-minute-and-fifty-five-second title cut that was nailed on the 2nd take with no edits on the basic tracks. Man, I'm sitting here listening to it, and I think that if there was a way you could compare the best possible recordings of all time from ANY genre and digest them down to some kind of quantifiable "best sound/best playing/best execution/best
creator: Kim
date: 2007-08-01T01:53:50-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: om/refer= ..html&nbsp;&nbsp;&nbsp; ------=_NextPart_000_00E0_01C802DB.DFDE99A0--I'm thinking this place (Meson Sevilla - http://www.mesonsevilla.com/media/websitemesonsevilla.html) might be nice. Tapas & sangria for the Paris faithful? Let's meet as the show ends about 6pm just outside the main hall entrance, then we can hoof or cab it up to the restaurant. If you want to just meet at the restaurant, plan to get there about 6:30. Reservation will be in the name of Paris! Right now, I am counting: Me Ron (my guest) Sakis Chris Morgan Gene Brian Kerry Tyrone Am I missing anyone? If you are planning to attend and bring a guest(s), please let me know so I can make a reservation. - Paul Artola Ellicott City, MarylandIf I'm not mistaken, I believe Nichols mastered that record directly through an Ibanez SDR1000 straight to master reel. WMW "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message news:46fe9ab8$1@linux... > > Thanks, I needed that...I'm going to pull it out listen to it right now. > Rod > "Neil" <OIUOI@OIU.com> wrote: >> >>..is the fuckin' best recording EVER! OK, well, let's back off >>a bit & say it could POSSIBLY be the best fucking recording >>EVER. At the very least, it's definitely
creator: Kim
date: 2007-08-01T03:22:44-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: a candidate, yes? I'm >>not talking about the whole album (although the whole >>album is great, really, as everyone knows), I'm talking about >>the seven-minute-and-fifty-five-second title cut that was >>nailed on the 2nd take with no edits on the basic tracks. >> >>Man, I'm sitting here listening to it, and I think that if >>there was a way you could compare the best possible recordings >>of all time from ANY genre and digest them down to some kind of >>quantifiable "best sound/best playing/best execution/best >>mix/best mastering" kind of combination and vote on it, "Aja" >>just might win. >> >>Freakin' GREAT sounds on every single instrument in there, as >>pertains to the genre being recorded, NOTHING comes across as >>abrasive, yet it's not so homogenized as to not grab your >>attention, either (we've all heard mixes like that, right?). >> >>Although, I must say "My Old School" rocks almost as hot in >>that same voting contest. :D >> >>(Yes, I'm currently in a Steely Dan mode - gotta get some >>breathing space from the numetal stuff i've been spending so >>much time on lately! lol) >> >>Roger Nichols gets most of the credit for all the Steely Dan >>stuff, but as I understand it, Elliot Scheiner really did most >>of the basic tracks recording & also the mixdowns, so maybe >>he's really the unsung hero here. Not sure if this applies to >>Aja, as well, but nonetheless... >> >>...GO LISTEN TO "AJA"!!!! >> >>Neil >HI Paul, That sounds awesome to me. Chris Paul Artola wrote: > I'm thinking this place (Meson Sevilla - > http://www.mesonsevilla.com/media/websitemesonsevilla.html) might be > nice. Tapas & sangria for the Paris faithful? > > Let's meet as the show ends about 6pm just outside the main hall > entrance, then we can hoof or cab it up to the restaurant. If you want<
creator: JeffH
date: 2007-08-01T04:42:40-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: br /> > to just meet at the restaurant, plan to get there about 6:30. > Reservation will be in the name of Paris! > > Right now, I am counting: > > Me > Ron (my guest) > Sakis > Chris > Morgan > Gene > Brian > Kerry > Tyrone > > Am I missing anyone? If you are planning to attend and bring a > guest(s), please let me know so I can make a reservation. > > - Paul Artola > Ellicott City, Maryland > > > > -- Chris Ludwig ADK chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com> www.adkproaudio.com <http://www.adkproaudio.com/> (859) 635-5762DJ wrote: > "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message > news:46fecf15@linux... > >>Hi DJ, >>Neil is correct in the way he describes it. >>Also it will be more flexible if you have the MADI card be master if you >>are going to be switching sample rates allot. >>Did you ever find out if the used ADI-648 you got is a recent enough one >>to have the MIDI Remote support? >>It makes configuring the front panel very easy if the unit is not in >>arms/visual reach. >>Also don't forget that MADI's I/O is also cut in half at 88.2/96k like >>ADAT. So 32 channels instead of 64. >> >>Chris > > > I'm getting ready to wire up a lot of RME hardware. I'm configuring two DAWs > Master/Slave, both running Cubase 4. In my Master DAW, I've got an AES > 32/BOB, a MADI card, an ADI 648, an ADI4-DD, 2 x ADI 8-DD's and 2 x ADI 8-DS > units. In the slave DAW I'm running a Multiface PCI. > <br
creator: audioguy_editout_
date: 2007-08-01T04:45:45-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: /> > 4 x stereo channels of the AES 32 will be interfacing with the ADI 8-DD > units and the AES I/O of 4 x outboard reverb/multiFX processors which will > down/upsampled for use as send/FX in Cubase by using the ADI 8-DD units. > > The other 4 x AES 32 channels will be interfacing with converters and > processors that are 88.2KHz capable. > > As for the MADI/ADI 648, what I would like to accomplish is this: > > ADAT 1 I/O patched to the ADI 4-DD > Channel 1 & 2 input of the ADI 4-DD receiving the S/PDIF output from the > Multiface slave unit > Channel 1 & 2 output of the ADI 4-Dd unit sending the stereo output of the > DAW to a Benchmark DAC-1 > > ADI 4-DD I/O 3 & 4 not used because they will be combined with Channels 1 & > 2 of the ADI 4-DD when used at 88.2 sample rates-correct? > > ADI 4-DD I/O 5 & 6 patched into a Mytek Stereo AD/DA units > > ADI 4-DD I/O 7 & 8 not used because they will be combined with Channels 5 & > 6 of the ADI 4-DD when used at 88.2 sample rates-correct? > > ADAT 2 I/O patched to the ADAT I/O of the Multiface Slave, which when > running both DAWs at 88.2KHz. > > I just want to be sure that, when configured in this manner and using 88.2 > sample rates on the master and slave DAWS, the various devices would show up > in Totalmix and Cubase VST I/O as follows: > > HDSP MADI 1 I/O would be left channel of ADI 4-DD channel 1 & 2 which are > interfacing with the Slave DAW output L and the Benchmark DAC-1 input L > HDSP MADI 2 I/O would be right channel of ADI 4-DD channel 1 & 2 which are > interfacing with the Slave DAW output R and the Benchmark DAC-1 input R > > HDSP MADI 3 I/O would be left channel of ADI 4-DD channel 5 & 6 which are > interfacing with the Mytek Stereo 96 AD/DA L > HDSP MADI 4 I/O would be right channel of ADI 4-DD channel 5 & 6 which are > interfacing with the Mytek Stereo 96 AD/DA R > > HDSP MADI 5 I/O would be left channel signal from Multiface ADAT I/O 1 & 2 > on slave DAW > HDSP MADI 6 I/O would be right channel signal f…
creator: Kim
date: 2007-08-01T05:23:46-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: net and use the ADAT sync on the multiface for synching the two. Just a thought, Jeff> Deej, > > What's the purpose of the second DAW? If you're passing audio back and > forth for processing, this might be a great scenario for Wormmhole. Pass > the audio ethernet and use the ADAT sync on the multiface for synching > the two. > > Just a thought, > > Jeff Scratch that...appears Wormhole went the way of Paris...ok now you have to have it or you'll...... ;-) JeffPlus........ADAT sync is only one way on HDSP cards..input. I could use a BRC I suppose. The Steiny Systemline works nicely on two comps anyway. I've got everything sync'ed up to external WC and I can cycle through everything from 44.1 thru 96k and everything syncs up fine but I'm hearing no stereo output signal in cubase. I'm sure this is due to the ADI 648 routing matrix being scrambled. Time to RTFM to get my head around this. Lots to learn about this beast. I'm pretty stoked about it though. I think that I may have finally found an audio system that will make my bizarre and twisted dreams come true. We'll know more next week. The RME BOB that I need to interface with the AES 32 card hasn't arrived here yet. Deej "Jeff Hoover" <jkhoover@excite.com> wrote in message news:46ff33e3@linux... > >> Deej, >> >> What's the purpose of the second DAW? If you're passing audio back and >> forth for processing, this might be a great scenario for Wormmhole. Pass >> the audio ethernet and use the ADAT sync on the multiface for synching >> the two. >> >> Just a thought, >> >> Jeff > > Scratch that...appears Wormhole went the way of Paris...ok now you have to > have it or you'll...... > > > > > ;-) > > Jeffwhere are you now BTW? "Jeff Hoover" <jkhoover@excite.com> wrote in message news:46ff3218@linux... > DJ wrote: >> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message >> news:46fecf15@linux... >> >>>Hi DJ, >>>Neil is correct in the way he describes it. >>>Also it will be more flexible if you have the MADI card be master…
creator: Kim
date: 2007-08-01T05:25:28-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: tes allot. >>>Did you ever find out if the used ADI-648 you got is a recent enough one >>>to have the MIDI Remote support? >>>It makes configuring the front panel very easy if the unit is not in >>>arms/visual reach. >>>Also don't forget that MADI's I/O is also cut in half at 88.2/96k like >>>ADAT. So 32 channels instead of 64. >>> >>>Chris >> >> >> I'm getting ready to wire up a lot of RME hardware. I'm configuring two >> DAWs Master/Slave, both running Cubase 4. In my Master DAW, I've got an >> AES 32/BOB, a MADI card, an ADI 648, an ADI4-DD, 2 x ADI 8-DD's and 2 x >> ADI 8-DS units. In the slave DAW I'm running a Multiface PCI. >> >> 4 x stereo channels of the AES 32 will be interfacing with the ADI 8-DD >> units and the AES I/O of 4 x outboard reverb/multiFX processors which >> will down/upsampled for use as send/FX in Cubase by using the ADI 8-DD >> units. >> >> The other 4 x AES 32 channels will be interfacing with converters and >> processors that are 88.2KHz capable. >> >> As for the MADI/ADI 648, what I would like to accomplish is this: >> >> ADAT 1 I/O patched to the ADI 4-DD >> Channel 1 & 2 input of the ADI 4-DD receiving the S/PDIF output from the >> Multiface slave unit >> Channel 1 & 2 output of the ADI 4-Dd unit sending the stereo output of >> the DAW to a Benchmark DAC-1 >> >> ADI 4-DD I/O 3 & 4 not used because they will be combined with Channels 1 >> & 2 of the ADI 4-DD when used at 88.2 sample rates-correct? >> >> ADI 4-DD I/O 5 & 6 patched into a Mytek Stereo AD/DA units >> >> ADI 4-DD I/O 7 & 8 not used because they will be combined with Channels 5 >> & 6 of the ADI 4-DD when used at 88.2 sample rates-correct? >> >> ADAT 2 I/O patched to the ADAT I/O of the Multiface Slave, which when >> running both DAWs at 88.2KHz. >> >> I just want to be sure that, when configured in this manner and using >> 88.2 sample rates on the master and slave DAWS, the various devices would >> show up in Totalmix and Cubase VST I/O as follows: >> >> HDSP MADI 1 I/O wo…
creator: Martin Harrington
date: 2007-08-01T05:29:31-00:00

Re: OUTAGE - Sorry, it's AMAZINGLY windy here...
type: item
description: second DAW? If you're passing audio back and > forth for processing, this might be a great scenario for Wormmhole. Pass > the audio ethernet and use the ADAT sync on the multiface for synching the > two. > > Just a thought, > > JeffMan......I wish I could come. I'd like to dive naked into a giant cauldron of paella ; ;o) "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message news:46ff30eb@linux... > HI Paul, > That sounds awesome to me. > > Chris > > Paul Artola wrote: >> I'm thinking this place (Meson Sevilla - >> http://www.mesonsevilla.com/media/websitemesonsevilla.html) might be >> nice. Tapas & sangria for the Paris faithful? >> >> Let's meet as the show ends about 6pm just outside the main hall >> entrance, then we can hoof or cab it up to the restaurant. If you want >> to just meet at the restaurant, plan to get there about 6:30. >> Reservation will be in the name of Paris! >> >> Right now, I am counting: >> >> Me >> Ron (my guest) >> Sakis >> Chris >> Morgan >> Gene >> Brian >> Kerry >> Tyrone >> >> Am I missing anyone? If you are planning to attend and bring a >> guest(s), please let me know so I can make a reservation. >> >> - Paul Artola >> Ellicott City, Maryland >> >> >> >> > > -- > Chris Ludwig > ADK > chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com> > www.adkproaudio.com <http://www.adkproaudio.com/> > (859) 635-5762Today I received the second comment ever on my blog where I post my old tunes, and the very few new tunes I am working on. I went booking over, and logged in to read the comment. It was from a guy looking for a manual for a tascam 488 :-) ChuckBoy am I glad I ripped my entire CD collection to uncompressed .wav files instead of some other format. I can't imagine ripping 400 CDs again! Chuck "DC" <dc@spammersinhell.com> wrote: > >But seriously, do oyu guys realize that we now have a player >(iPod Classic 160G) that can hold more than 200 CD's of >totally uncompressed audio? > >There is now no reason ro not get one. None at all. > >Al…
creator: JeffH
date: 2007-08-01T08:08:43-00:00