zVdp3XoQReHoLWf7QtnIs [binary]
gt; I can't for the life of me figure out how to get external FX set up in >Cubase/Creamware but I'll get it figured out.soon............I need to get >the 16 analog I/O and 4 x stereo pair of ADAT I/O configured for mono and >stereo external insert and send FX. > >;o) > Are you doing final summing primarily in Paris or in Creamware? GeneWell, it's been a long time since I've been here, and unfortunately, I no longer have my PARIS system. (Hopefully this will be remedied... Some day.) Anyways, I have this old SCSI drive with tons of unfinished work on it, and I thought I'd like to hear some of the 3-year-old mixdowns. Problem is, I have a brand new computer, and even when I called IBM for a termonology refresher so I could get this drive working, they said that I was using some "pretty old technology" and that it was "almost obsolete." Wha? A 15k SCSI drive is that tired? Anyways, I'm not very technically inclined nowadays, as I lose any abilities that I don't nurture. So I may have a hard time giving correct information in the matter, but I'm sure someone here knows what's up. Here's the problem. I have an IBM Ultrastar 36Z15 Drive, model# ic35l036ucpr15-0. This is the 36.7 GB, 15,000 RPM unit.
synced to Paris since > 10:00 this morning and I've been configuring the ASIO drivers fro various > templates and playing back projects pretty much nonstop for 11 hours. Not > one crash. Not a single one. Even if it didn't have all of this incredible > (and intuitive) routing functionality and onboard DSP, I would have paid the > extra $$$ just to achieve this kind of stability. > > Now I hope someone doesn't read this and go out and drop a bundle on this > hardware and it not function propertly, but in "my" particular situationwith > "my* particular mobo and peripheral hardware, it's a friggin dream com true. > > I've got a 40 track project playing back looped in cubase righ
> I see now, that even with great multi-core processors, theres nothing like a dedeicaed DSP based DAW. Sorry Native guys and gals, but it's true.. Yes, you can ge the job done, but there's always workarounds and the likes.. When I found ou that Fairlight was in fact using Scope based plugins for their core plugins, that sealed the deal. In fact, the old Fairlight DSP system (DREAM 1) was based on the scope pro 15 dsp's.. But, now with their new Crystal core technology, they can now sel a rig that's half the cost and 20 times the power.. To say that I'm jacked is an understatement. Along with the DreamII rig, I'll have a Dual Opteron PC + Magma for rewired apps(acid), Giga, Neundo..All jacked into the Dream II Core.. "DJ" <nowayjose@dude.net> wrote: >La Mont, > >I'm playing back a 40 track project interfacing the Pulsar ADAT with Paris >ADAT. It's very stable and sounds friggin incredible. > >I'm still working out a few routing FU's that I seem to have created. Also, >I'm not entirely happy with the Pulsar midi routing to/from my digipatch >digital patchbay. It's got me bamboozled right now but other than that, I >think I'm going to hold off on the Fairlight for a while. this thing sounds >great and so far is extremely stable. > >Cheers, > >Deej > >"LaMont" <jjdpro@ameritech.net> wrote in message news:455dd1e3$1@linux... >> >> Well, I've been on my search for another DSP professional solution. My >search >> for the ultimate Paris replacement has sent looking at : >> >> 1
) Soundscape system >> 2) Pro Tools HD-3 With Dcommand Controller >> 3) Nuendo3-With Euphonix MC5 >> 4) Fairlight Crysltal Core Setup/ Constellation XT >> 5) Scope II Platform.. >> >> Well, it's looking like the Fairlight solution is winnning and is the >future >> of DSP DAW. >> >> Take a look at the videos and let me know what you guys think.. >> >> http://img3.harmony-central.com/Video/aes121/Fairlight_CC-1. mp4 >> >> >> >> > >Have you tested the punch in/out yet? AA "DJ" <nowayjose@dude.net> wrote in message news:455fe04c@linux... > OK........I bumped up the UAD-1 card usage to 90% and the project has been > looping at 3ms buffers for almost an hour now with Cubase showing 80% CPU > usage. There's an occasional light crackle when a loud passage comes along > and the virtual needles on the plugin meters move rapidly on the > screen.....but it just keeps right on playing...........no crashes. > > Cool beans! > > > "DJ" <nowayjose@dude.net> wrote in message news:455fd4fa@linux... >> Just an FYI........I've been running this machine synced to Paris since >> 10:00 this morning and I've been configuring the ASIO drivers fro various >> templates and playing back projects pretty much nonstop for 11 hours. Not >> one crash. Not a single one. Even if it didn't have all of this >> incredible >> (and intuitive) routing functionality and onboard DSP, I would have paid > the >> extra $$$ just to achieve this kind of stability. >> >> Now I hope someone doesn't read this and go out and drop a bundle on this >> hardware and it not function propertly, but in "my" particular > situationwith >> "my* particular mobo and peripheral hardware, it's a friggin dream com > true. >> >> I've got a 40 track project playing back looped in cubase right now. I'm >> just going to let it go for a few hours and see if I can get it to crash. >> >> Deej >> >> "TCB" <nobody@ishere.com> wrote in message news:455fb6b8$1@linux... >> > >> > Aw crikey, another $2k out the window. Why couldn't you say it really >> sucks? >> > You're not even a synth guy and you like it that much. >> > >> > Now
gt; >>>> Well, I've been on my search for another DSP professional solution. My >>> search >>>> for the ultimate Paris replacement has sent looking at : >>>> >>>> 1) Soundscape system >>>> 2) Pro Tools HD-3 With Dcommand Controller >>>> 3) Nuendo3-With Euphonix MC5 >>>> 4) Fairlight Crysltal Core Setup/ Constellation XT >>>> 5) Scope II Platform.. >>>> >>>> Well, it's looking like the Fairlight solution is winnning and is the >>> future >>>> of DSP DAW. >>>> >>>> Take a look at the videos and let me know what you guys think.. >>>> >>>> http://img3.harmony-central.com/Video/aes121/Fairlight_CC-1. mp4 >>>> >>>> >>>> >>>> >>> >>> >> >John, try a few TV stations in your market - call their production manager & ask what they'd charge to transfer some stuff for you... it's tough to find a TV station that doesn't have an Avid system of some type. Neil John <nosp@m.com> wrote: >I'm out of luck there. I'm pretty much out of the recording industry >loop. I'm in a small, new town, and I don't know anyone yet. I guess I >could call some computer techs and see if they can transfer to a RAID >drive for me. > >Martin Harrington wrote: >> John, >> If you know anyone that has an "old" AVID video editing system, see if you >> can hook the drive up to their system, and copy the files to their newer >> drives which are most probably IDE, and get them to burn a DVD or the like. >> Never know, it may work."LaMont" <jjdpro@gmail.com> wrote: >I know this is an investement, but I've made up my mide to drop over 30k >for a rig 2 years ago. OK, Lamont... then that means no more accusations from you in any political threads that I'm "rich" and you're "lower middle- class", 'cause I sure as hell can't afford to drop $30k into MY recording rig! :D NeilHey..they'll let anyone get into debt..This is America.. :) Seriously. James McC was and is right. Most o fthese comapnies are not into selling nor providing a "total" professional sudio solution. They are into nickle and diming all of us o spending way over 30-40 oreven 50k when it's all said and done. I saw this happening with the PC upgrade phenomina. Look how much it cost to beuild(last year) a dual/dual core Opteron DAW$$Cha ching..$$$ Then, converters, plugins, clocks..and on and on.. A person can end up spending a lot of money nickle and diming their way to their dream setup. It just seemed "more expensive to shell out the big buck at the fron end, versus, getting "cherry" Picked every 6 months. I know that I have spent over 6k in DAW upgrades just this year alone!!! ENOUGH!! Like my wife says, Either your going for the 35k Protool/Control 24 rig(HD3 Acell) or the Euphonics /Neundo Setup or the Fairlight setup.. But, she think it's stupid(for me) to keep throwing money on faster PCs and not having a great control surface to boot.. I make no excuse in saying that I need Eye Candy in my studio. I have found that along with proving a great mix, people pay for Eye Candy..More to the point, they pay for faders!!! :) Faders and big (19inch and above) video monitors.. When you're asking for client to part with cash for their project, you have to provide someting different than what they already have. Most everyone has some kind of DAW..So, to say I'm using Paris, Pro Tools LE, Cubase or even Logic and Nuendo, does not easily impress.. BUT, when they see over 32 faders..lights, big monitors and Great sound...Money comes.. :) "Neil" <IOUOIU@OIU.com> wrote: > >"LaMont" <jjdpro@gmail.com> wrote: >>I know this is an investement, but I've made up my mide to drop over 30k >>for a rig 2 years ago. > >OK, Lamont... then that means no more accusations from you in >any political threads that I'm "rich" and you're "lower middle- >class", 'cause I sure as hell can't afford to drop $30k into MY >recording rig! > >:D > >NeilUmmm, how do determin this? Unfamiliar.... Jimmy "EK Sound" <askme@nospam.com> wrote in message news:455e10ff@linux... > Are you set up as standard PC or ACPI? > > David. > > Uptown Jimmy wrote: > > Howdy! Long time no talky, as I've been a busy boy. > > > > You may remember that I was having those classic Paris feeze-ups due to IRQ > > sharing, with 4 EDS cards in a new Asus motherboard with 4 PCI slots. > > > > Finally got in touch with Asus, and they informed me that IRQ assignments > > are commandeered completely by Windows XP, a statement born out by > > Microsoft's "knowledge base". > > > > So, I'm unwilling to disable USB except as a last-resort. USB IRQ sharing > > was a likely suspect as I remember... > > > > What are my options? Just tediously try 2 and 3 card systems in various PCI > > slots until I come up gold? Try to weed through the Windows IRQ assignment > > slists and glean some sort of way forward? > > > > I'm pretty lost here. I need at least a 3-card system... > > > > Jimmy > > > >Where are you getting a Constellation for $35k? I thought they started at $110k? Dedric On 11/19/06 12:08 PM, in article 45609d87$1@linux, "LaMont" <jjdpro@ameritech.net> wrote: > > Hey..they'll let anyone get into debt..This is America.. :) > > Seriously. James McC was and is right. Most o fthese comapnies are not into > selling nor providing a "total" professional sudio solution. They are into > nickle and diming all of us o spending way over 30-40 oreven 50k when it's > all said and done. > > I saw this happening with the PC upgrade phenomina. Look how much it cost > to beuild(last year) a dual/dual core Opteron DAW$$Cha ching..$$$ Then, > converters, > plugins, clocks..and on and on.. > A person can end up spending a lot of money nickle and diming their way to > their dream setup. It just seemed "more expensive to shell out the big buck > at the fron end, versus, getting "cherry" Picked every 6 months. I know that > I have spent over 6k in DAW upgrades just this year alone!!! ENOUGH!! > > Like my wife says, Either your going for the 35k Protool/Control 24 rig(HD3 > Acell) or the Euphonics /Neundo Setup or the Fairlight setup.. But, she think > it's stupid(for me) to keep throwing money on faster PCs and not having a > great control surface to boot.. > > I make no excuse in saying that I need Eye Candy in my studio. I have found > that along with proving a great mix, people pay for Eye Candy..More to the > point, they pay for faders!!! :) Faders and big (19inch and above) video > monitors.. > When you're asking for client to part
lt;jjdpro@gmail.com> wrote: >>>> I know this is an investement, but I've made up my mide to drop over 30k >>>> for a rig 2 years ago. >>> >>> OK, Lamont... then that means no more accusations from you in >>> any political threads that I'm "rich" and you're "lower middle- >>> class", 'cause I sure as hell can't afford to drop $30k into MY >>> recording rig! >>> >>> :D >>> >>> Neil >> >I have to say, the stability you describe is _precisely_ what I wouldn't expect. I'm going to take one last look at other options and probably pick up the Scope Pro card. In theory that might decrease the likelihood I'll have problems like you're having with those funny cables. Then, John Bowen synths . . . TCB "DJ" <nowayjose@dude.net> wrote: >I just got the A16U happening. Nice converter. Don't have enough hours on it >to compare it to anything but it's not muddy sounding to my ears. I'm >interfacing by ZLink. One glitch that I've hit here is that I'm out of >resources in the Creamware environment. The DSP meter shows only about 1/3 >of the resources of the `15 DSP chips I've got here to be used, This isn't a >huge issue as I've got 4 x UAD-1 cards that aren't even breathing hard, I've >got a lot of stuff happening in the Creamware environment and I have a >feeling that one reason for this resource situation is because I'm running a >rather unorthodox STDM cable from the first card to the other two and this >may actually be restricting what I'm able to allocate. This cable is 24" >long whereas a normal cable span is 4". Due to this, the system won't let me >patch any more stuff, but I've got my patching accomplished to do what I >need. Once I get my hands on another 13 slot Magma, this issue will likely >go away. > >Stable Thad.......as in stable like Paris can be when not abused and made to >perform unnatural acts. That's something I've never really felt with a >native platform. > >;o) > >"TCB" <nobody@ishere.com> wrote in message news:455fb6b8$1@linux... >> >> Aw crikey, another $2k out the window. Why couldn't you say it really >sucks? >> You're not even a synth guy and you like it that much. >> >> Now we're just down to getting ADAT I/O or Z-link. Not a big deal for >someone >> who doesn't record a lot of live instruments, I guess, but I think one of >> the 14 DSP cards is in the very near future. >> >> TCB >> >> "DJ" <nowayjose@dude.net> wrote: >> >I've got everything happening as I had hoped so far. The RME ADI4 DD is >> >interfaced with the AES I/O of my hardware reverbs, bussing through the >> >Scope mixer and returning to 4 x Paris auxes on Mec 4. this is exactly >what >> >I had envisioned when I went crazy and decided to jump into this feet >> >first......and it's drop dead./rock solid stable.as in dedicated hardware >> >DSP based stable. I'm very impressed so far. >> > >> >The only thing I have yet to do is to patch external hardware across the >> >inserts in Cubase using the A16U AD/DA converter. Once I've got that >> >working, I'll be a happy camper. That's going to happen either later >tonight >> >or tomorrow. >> > >> >Deej >> > >> > >> >Deej >> > >> > >> > >That's list for a 5 BAY SETUP.I',m looking at a 3 bay setup..I stated 35 as a starting point..But since the CC1 card things have come down a lot. Dedric Terry <dterry@keyofd.net> wrote: >Where are you getting a Constellation for $35k? I thought they started at >$110k? > >Dedric > >On 11/19/06 12:08 PM, in article 45609d87$1@linux, "LaMont" ><jjdpro@ameritech.net> wrote: > >> >> Hey..they'll let anyone get into debt..This is America.. :) >> >> Seriously. James McC was and is right. Most o fthese comapnies are not into >> selling nor providing a "total" professional sudio solution. They are into >> nickle and diming all of us o spending way over 30-40 oreven 50k when it's >> all said and done. >> >> I saw this happening with the PC upgrade phenomina. Look how much it cost >> to beuild(last year) a dual/dual core Opteron DAW$$Cha ching..$$$ Then, >> converters, >> plugins, clocks..and on and on.. >> A person can end up spending a lot of money nickle and diming their way to >> their dream setup. It just seemed "more expensive to shell out the big buck >> at the fron end, versus, getting "cherry" Picked every 6 months. I know that >> I have spent over 6k in DAW upgrades just this year alone!!! ENOUGH!! >> >> Like my wife says, Either your going for the 35k Protool/Control 24 rig(HD3 >> Acell) or the Euphonics /Neundo Setup or the Fairlight setup.. But, she think >> it's stupid(for me) to keep throwing money on faster PCs and not having a >> great control surface to boot.. >> >> I make no excuse in saying that I need Eye Candy in my studio. I have found >> that along with proving a great mix, people pay for Eye Candy..More to the >> point, they pay for faders!!! :) Faders and big (19inch and above) video >> monitors.. >> When you're asking for client to part with cash for their project, you have >> to provide someting different than what they already have. Most everyone >> has some kind of DAW..So, to say I'm using Paris, Pro Tools LE, Cubase or >> even Logic and Nuendo, does not easily impress.. BUT, when they see over >> 32 faders..lights, big monitors and Great sound...Money comes.. :) >> >> >> >> "Neil" <IOUOIU@OIU.com> wrote: >>> >>> "LaMont" <jjdpro@gmail.com> wrote: >>>> I know this is an investement, but I've made up my mide to drop over 30k >>>> for a rig 2 years ago. >>> >>> OK, Lamont... then that means no more accusations from you in >>> any political threads that I'm "rich" and you're "lower middle- >>> class", 'cause I sure as hell can't afford to drop $30k into MY >>> recording rig! >>> >>> :D >>> >>> Neil >> >Hi Thad, I'm working with Ali @ Creamware on a PARIS group buy :) Should have pricing worked out by Monday. Morgan :) TCB wrote: > I have to say, the stability you describe is _precisely_ what I wouldn't expect. > > > I'm going to take one last look at other options and probably pick up the > Scope Pro card. In theory that might decrease the likelihood I'll have problems > like you're having with those funny cables. Then, John Bowen synths . . > > > TCB > > "DJ" <nowayjose@dude.net> wrote: > >>I just got the A16U happening. Nice converter. Don't have enough hours on > > it > >>to compare it to anything but it's not muddy sounding to my ears. I'm >>interfacing by ZLink. One glitch that I've hit here is that I'm out of >>resources in the Creamware environment. The DSP meter shows only about 1/3 >>of the resources of the `15 DSP chips I've got here to be used, This isn't > > a > >>huge issue as I've got 4 x UAD-1 cards that aren't even breathing hard, > > I've > >>got a lot of stuff happening in the Creamware environment and I have a >>feeling that one reason for this resource situation is because I'm running > > a > >>rather unorthodox STDM cable from the first card to the other two and this >>may actually be restricting what I'm able to allocate. This cable is 24" >>long whereas a normal cable span is 4". Due to this, the system won't let > > me > >>patch any more stuff, but I've got my patching accomplished to do what I >>need. Once I get my hands on another 13 slot Magma, this issue will likely >>go away. >> >>Stable Thad.......as in stable like Paris can be when not abused and made > > to > >>perform
; >>I just got the A16U happening. Nice converter. Don't have enough hours on > > > > it > > > >>to compare it to anything but it's not muddy sounding to my ears. I'm > >>interfacing by ZLink. One glitch that I've hit here is that I'm out of > >>resources in the Creamware environment. The DSP meter shows only about 1/3 > >>of the resources of the `15 DSP chips I've got here to be used, This isn't > > > > a > > > >>huge issue as I've got 4 x UAD-1 cards that aren't even breathing hard, > > > > I've > > > >>got a lot of stuff happening in the Creamware environment and I have a > >>feeling that one reason for this resource situation is because I'm running > > > > a > > > >>rather unorthodox STDM cable from the first card to the other two and this > >>may actually be restricting what I'm able to allocate. This cable is 24" > >>long whereas a normal cable span is 4". Due to this, the system won't let > > > > me > > > >>patch any more stuff, but I've got my patching accomplished to do what I > >>need. Once I get my hands on another 13 slot Magma, this issue will likely > >>go away. > >> > >>Stable Thad.......as in stable like Paris can be when not abused and made > > > > to > > > >>perform unnatural acts. That's something I've never really felt with a > >>native platform. > >> > >>;o) > >> > >>"TCB" <nobody@ishere.com> wrote in message news:455fb6b8$1@linux... > >> > >>>Aw crikey, another $2k out the window. Why couldn't you say it really > >> > >>sucks? > >> > >>>You're not even a synth guy and you like it that much. > >>> > >>>Now we're just down to getting ADAT I/O or Z-link. Not a big deal for > >> > >>someone > >> > >>>who doesn't record a lot of live instruments, I guess, but I think one > > > > of > > > >>>the 14 DSP cards is in the very near future. > >>> > >>>TCB > >>> > >>>"DJ" <nowayjose@dude.net> wrote: > >>> > >>>>I've got everything happening as I had hoped so far. The RME ADI4 DD > > > > is > > > >>>>interfaced with the AES I/O of my hardware reverbs, bussing through the > >>>>Scope mixer and returning to 4 x Paris auxes on Mec 4. this is exactly > >> > >>what > >> > >>>>I had envisioned when I went crazy and decided to jump into this feet > >>>>first......and it's drop dead./rock solid stable.as in dedicated hardware > >>>>DSP based stable. I'm very impressed so far. > >>>> > >>>>The only thing I have yet to do is to patch external hardware across > > > > the > > > >>>>inserts in Cubase using the A16U AD/DA converter. Once I've got that > >>>>working, I'll be a happy camper. That's going to happen either later > >> > >>tonight > >> > >>>>or tomorrow. > >>>> > >>>>Deej > >>>> > >>>> > >>>>Deej > >>>> > >>>> > >>> > >> > > >Morgan <morganp@ntplx.net> wrote: >Hi Thad, > >I'm working with Ali @ Creamware on a PARIS group buy :) >Should have pricing worked out by Monday. Crap, I shoulda waited. NeilDon't worry.you're gonna want more cards. ;o) "Neil" <ARRGH@ARRGH.com> wrote in message news:4560e04e$1@linux... > > Morgan <morganp@ntplx.net> wrote: > >Hi Thad, > > > >I'm working with Ali @ Creamware on a PARIS group buy :) > >Should have pricing worked out by Monday. > > Crap, I shoulda waited. > > Neil"DJ" <nowayjose@dude.net> wrote: >Don't worry.you're gonna want more cards. One card had better do the trick... I can't afford more cards! My gearsluttishness has reached new precedents already... I may have to sell some of my less-utilized stuff to cover what I've already bought! Neil...but you're still gonna want more cards..... ;o) "Neil" <OIUOIU@OI.com> wrote in message news:4560f252$1@linux... > > "DJ" <nowayjose@dude.net> wrote: > >Don't worry.you're gonna want more cards. > > One card had better do the trick... I can't afford more cards! > > My gearsluttishness has reached new precedents already... > I may have to sell some of my less-utilized stuff to cover what > I've already bought! > > Neil > >sweet. "Morgan" <morganp@ntplx.net> wrote in message news:4560d600@linux... > Hi Thad, > > I'm working with Ali @ Creamware on a PARIS group buy :) > Should have pricing worked out by Monday. > > Morgan :) > > > TCB wrote: >> I have to say, the stability you describe is _precisely_ what I wouldn't >> expect. >> >> >> I'm going to take one last look at other options and probably pick up the >> Scope Pro card. In theory that might decrease the likelihood I'll have >> problems >> like you're having with those funny cables. Then, John Bowen synths . . >> TCB >> >> "DJ" <nowayjose@dude.net> wrote: >> >>>I just got the A16U happening. Nice converter. Don't have enough hours on >> >> it >> >>>to compare it to anything but it's not muddy sounding to my ears. I'm >>>interfacing by ZLink. One glitch that I've hit here is that I'm out of >>>resources in the Creamware environment. The DSP meter shows only about >>>1/3 >>>of the resources of the `15 DSP chips I've got here to be used, This >>>isn't >> >> a >> >>>huge issue as I've got 4 x UAD-1 cards that aren't even breathing hard, >> >> I've >> >>>got a lot of stuff happening in the Creamware environment and I have a >>>feeling that one reason for this resource situation is because I'm >>>running >> >> a >> >>>rather unorthodox STDM cable from the first card to the other two and >>>this >>>may actually be restricting what I'm able to allocate. This cable is 24" >>>long whereas a normal cable span is 4". Due to this, the system won't let >> >> me >> >>>patch any more stuff, but I've got my patching accomplished to do what I >>>need. Once I get my hands on another 13 slot Magma, this issue will >>>likely >>>go away. >>> >>>Stable Thad.......as in stable like Paris can be when not abused and made >> >> to >> >>>perform unnatural acts. That's something I've never really felt with a >>>native plat
ailto:dterry@keyofd.net..." target="_blank">dterry@keyofd.net... > >>Thanks Thad and DJ - that's what I've considered it for over the years - a >>synth card mainly. Good to hear that kind of recommendation. While I > > would > >>love to fill the room with some hardware synths, this sounds more > > practical > >>to augment the softsynth library at some point, as long as Creamware lasts > > a > >>bit longer than Paris or Lexicon's Studio 12T, etc. >> >>Regards, >>Dedric >> >>On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" > > <nobody@ishere.com> > >>wrote: >> >> >>>Different things for different people. Deej is getting ungodly stability > > with > >>>it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. For me, >>>I reviewed a Pulsar computer card way back when and also the Noah synth > > just > >>>as Home Recording was gasping its last and I had to go get a real job > > again. > >>>Creamware writes some *superb* sounding synthesizers, though I > > understand > >>>some of that development team has moved on. It's also a semi-open > > platform > >>>so third parties have gotten involved as well. As a synth guy, John > > Bowen > >>>was one of the main people behind the Sequential Circuits synths back in >>>the day, including the ProphetVS and then after SC was swallowed up by > > Korg > >>>the Wavestation series, among others. Now he develops for Scope and > > sells > >>>his stuff at http://www.zargmusic.com/. For me, anyone putting Waldorf > > Wave > >>>oscillators into a slightly hot-rodded Prophet 5 emulation is pretty > > cool, > >>>when it's John Bowen that's something like if Bob Moog had decided to > > learn > >>>to program SHARCs and started another company. Oh, and there's a _sick_ >>>modular >>>synth that comes with it and a third party package of modules that > > sounds > >>>dreamy as well. >>> >>>So for me I expect the Pulsar will be mostly a synth card, plus some > > effects, > >>>and the UAD will continue to be my 'bread and butter' EQ/Comp card. That >>>will leave me with native stuff only for really low CPU things like > > samplers > >>>and Absynth. Sounds like a good rig to me. >>> >>>TCB >>> >>>Dedric Terry <dterry@keyofd.net> wrote: >>> >>>>DJ, Neil, Thad, and others - I've only skimmed the thread here and > > there > >>>so >>> >>>>pardon if you've answered this, but what makes the Pulsar system more >>>>attractive to you than Soundscape or some other DSP system? Just > > curious. > >>>>Regards, >>>>Dedric >>>> >>>>On 11/19/06 6:59 PM, in article 4561099d@linux, "DJ" > > <nowayjose@dude.net> > >>>>wrote: >>>> >>>> >>>>>..but you're still gonna want more cards..... >>>>> >>>>>;o) >>>>> >>>>>"Neil" <OIUOIU@OI.com> wrote in message news:4560f252$1@linux... >>>>> >>>>>>"DJ" <<a href="mailto:nowayjose&
t for over the years - a > >>synth card mainly. Good to hear that kind of recommendation. While I > > > > would > > > >>love to fill the room with some hardware synths, this sounds more > > > > practical > > > >>to augment the softsynth library at some point, as long as Creamware lasts > > > > a > > > >>bit longer than Paris or Lexicon's Studio 12T, etc. > >> > >>Regards, > >>Dedric > >> > >>On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" > > > > <nobody@ishere.com> > > > >>wrote: > >> > >> > >>>Different things for different people. Deej is getting ungodly stability > > > > with > > > >>>it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. For me, > >>>I reviewed a Pulsar computer card way back when and also the Noah synth > > > > just > > > >>>as Home Recording was gasping its last and I had to go get a real job > > > > again. > > > >>>Creamware writes some *superb* sounding synthesizers, though I > > > > understa
;>>>>"DJ" <nowayjose@dude.net> wrote: >>>>>>>> >>>>>>>> >>>>>>>>>Don't worry.you're gonna want more cards. >>>>>>>> >>>>>>>>One card had better do the trick... I can't afford more cards! >>>>>>>> >>>>>>>>My gearsluttishness has reached new precedents already... >>>>>>>>I may have to sell some of my less-utilized stuff to cover what >>>>>>>>I've already bought! >>>>>>>> >>>>>>>>Neil >>>>>>>> >>>>>>>> >>>>>>> >>>>>>> >>> > >It's a good feeling to get the gear to do what you want rather than the gear tell you how to work. Stability does count for a lot. Btw - the Fairlight CC-1 does allow a native front end via 64 virtual (maybe 96) channels routed to the card from any native VST host (e.g. you could use a VST rack, Reason, etc to run with it). However, the price of general admission starts at $18,500 with no option to get the $5k card alone to run with a 3rd party MADI interface - so it's a bit more to start than a Pulsar/Paris system. Maybe something will break on this next quarter - e.g. Steinberg providing direct compatibility via the microcode layer in the CC-1, not just routing to/from via virtual channels. Regards, Dedric On 11/19/06 8:48 PM, in article 4561232c$1@linux, "DJ" <nowayjose@dude.net> wrote: > I bought my Paris system on November 27 1997. In a few days, that will be 9 > years.so after 9 years I'm stiing here with the workaround that finally does > everything I want. It's not nearly as elegant as a Fairlight, but it > probably can do more since it can use a Native front end and VST plugins > like the UAD-1. > > This thing has been running all day and hasn't crashed once. I feel like the > dust is starting to settle and the realization is setting in that I just won > a 9 year long battle to achieve what I want in a DAW..but it's kind of a > bittersweet feeling considering I'm having to use two DAWs.......but I've > had the scenario working more or less since last Christmas. All I was > lacking was stability. > > Now if this 9 year old Paris system will just hold together.......;o) > > > "Dedric Terry" <dterry@keyofd.net> wrote in message > news:C1866D55.5905%dterry@keyofd.net... >> Thanks Thad and DJ - that's what I've considered it for over the years - a >> synth card mainly. Good to hear that kind of recommendation. While I > would >> love to fill the room with some hardware synths, this sounds more > practical >> to augment the softsynth library at some point, as long as Creamware lasts > a >> bit longer than Paris or Lexicon's Studio 12T, etc. >> >> Regards, >> Dedric >> >> On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" > <nobody@ishere.com> >> wrote: >> >>> >>> Different things for different people. Deej is getting ungodly stability > with >>> it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. For me, >>> I reviewed a Pulsar computer card way back when and also the Noah synth > just >>> as Home Recording was gasping its last and I had to go get a real job > again. >>> Creamware writes some *superb* sounding synthesizers, though I > understand >>> some of that development team has moved on. It's also a semi-open > platform >>> so third parties have gotten involved as well. As a synth guy, John > Bowen >>> was one of the main people behind the Sequential Circuits synths back in >>> the day, including the ProphetVS and then after SC was swallowed up by > Korg >>> the Wavestation series, among others. Now he develops for Scope and > sells >>> his stuff at http://www.zargmusic.com/. For me, anyone putting Waldorf > Wave >>> oscillators into a slightly hot-rodded Prophet 5 emulation is pretty > cool, >>> when it's John Bowen that's something like if Bob Moog had decided to > learn >>> to program SHARCs and started another company. Oh, and there's a _sick_ >>> modular >>> synth that comes with it and a third party package of modules that > sounds >>> dreamy as well. >>> >>> So for me I expect the Pulsar will be mostly a synth card, plus some > effects, >>> and the UAD will continue to be my 'bread and butter' EQ/Comp card. That >>> will leave me with native stuff only for really low CPU things like > samplers >>> and Absynth. Sounds like a good rig to me. >>> >>> TCB >>> >>> Dedric Terry <dterry@keyofd.net> wrote: >>>> DJ, Neil, Thad, and others - I've only skimmed the thread here and > there >>> so >>>> pardon if you've answered this, but what makes the Pulsar system more >>>> attractive to you than Soundscape or some other DSP system? Just > curious. >>>> >>>> Regards, >>>> Dedric >>>> >>>> On 11/19/06 6:59 PM, in article 4561099d@linux, "DJ" > <nowayjose@dude.net> >>>> wrote: >>>> >>>>> ..but you're still gonna want more cards..... >>>>> >>>>> ;o) >>>>> >>>>> "Neil" <OIUOIU@OI.com> wrote in message news:4560f252$1@linux... >>>>>> >>>>>> "DJ" <nowayjose@dude.net> wrote: >>>>>>> Don't worry.you're gonna want more cards. >>>>>> >>>>>> One card had better do the trick... I can't afford more cards! >>>>>> >>>>>> My gearsluttishness has reached new precedents already... >>>>>> I may have to sell some of my less-utilized stuff to cover what >>>>>> I've already bought! >>>>>> >>>>>> Neil >>>>>> >>>>>> >>>>> >>>>> >>>> >>> >> > >I own a Prophet 10, and a pretty nice one. The Creamware Prophet emulation (I haven't Bowen's slightly updated one) is freakishly close to the original. And mind you, I think the Native Instruments Prophet sounds really good and is perfectly acceptable even in productions for release. The native one sounds great. But the Creamware version sounded very much like I'll bet my Prophet did the day it left the factory. It's a little brighter, or maybe more present would be a better term, and it sounds unsurprisingly like there aren't any cables and mixers and DIs in front of it. But it has that 'speakers are about to rip' in your face thing that real Prophets always had. This is venturing deep into the heart of Sequential geekdom, but here is Bowen talking about the early days of the instrument. Sadly, they don't PLAY them all that much, but that's one of the guys who will sell you a synth for a pulsar. http://video.google.com/videosearch?q=john+bowen TCB Dedric Terry <dterry@keyofd.net> wrote: >Thanks Thad and DJ - that's what I've considered it for over the years - a >synth card mainly. Good to hear that kind of recommendation. While I would >love to fill the room with some hardware synths, this sounds more practical >to augment the softsynth library at some point, as long as Creamware lasts a >bit longer than Paris or Lexicon's Studio 12T, etc. > >Regards, >Dedric > >On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" <nobody@ishere.com> >wrote: > >> >> Different things for different people. Deej is getting ungodly stability with >> it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. For me, >> I reviewed a Pulsar computer card way back when and also the Noah synth just >> as Home Recording was gasping its last and I had to go get a real job again. >> Creamware writes some *superb* sounding synthesizers, though I understand >> some of that development team has moved on. It's also a semi-open platform >> so third parties have gotten involved as well. As a synth guy, John Bowen >> was one of the main people behind the Sequential Circuits synths back in >> the day, including the ProphetVS and then after SC was swallowed up by Korg >> the Wavestation series, among others. Now he develops for Scope and sells >> his stuff at http://www.zargmusic.com/. For me, anyone putting Waldorf Wave >> oscillators into a slightly hot-rodded Prophet 5 emulation is pretty cool, >> when it's John Bowen that's something like if Bob Moog had decided to learn >> to program SHARCs and started another company. Oh, and there's a _sick_ >> modular >> synth that comes with it and a third party package of modules that sounds >> dreamy as well. >> >> So for me I expect the Pulsar will be mostly a synth card, plus some effects, >> and the UAD will continue to be my 'bread and butter' EQ/Comp card. That >> will leave me with native stuff only for really low CPU things like samplers >> and Absynth. Sounds like a good rig to me. >> >> TCB >> >> Dedric Terry <dterry@keyofd.net> wrote: >>> DJ, Neil, Thad, and others - I've only skimmed the thread here and there >> so >>> pardon if you've answered this, but what makes the Pulsar system more >>> attractive to you than Soundscape or some other DSP system? Just curious. >>> >>> Regards, >>> Dedric >>> >>> On 11/19/06 6:59 PM, in article 4561099d@linux, "DJ" <nowayjose@dude.net> >>> wrote: >>> >>>> ..but you're still gonna want more cards..... >>>> >>>> ;o) >>>> >>>> "Neil" <OIUOIU@OI.com> wrote in message news:4560f252$1@linux... >>>>> >>>>> "DJ" <nowayjose@dude.net> wrote: >>>>>> Don't worry.you're gonna want more cards. >>>>> >>>>> One card had better do the trick... I can't afford more cards! >>>>> >>>>> My gearsluttishness has reached new precedents already... >>>>> I may have to sell some of my less-utilized stuff to cover what >>>>> I've already bought! >>>>> >>>>> Neil >>>>> >>>>> >>>> >>>> >>> >> >Glad you're liking the DAC-1. That was recommended to me by Mike Claytor. He brought one up to Durango and we hooked it up and I immediately started hearing stuff that I had never heard and selling stuff that could live without to buy one. I haven't regretted it for one minute. It's a great piece of kit. Keep in mind that the dual box thing can get pretty expensive. There's a lot of I/O to buy on both platforms and you will likely end up running Paris on Win ME. It's not as expensive as a Pro Tools/Fairlight or Soundscape system by a long shot and you've probably got quite a bit of the infrastructure already, but the Pulsar cards are not cheap. Sounds like Morgan is gonna try to help ease the pain.I sure hope the Pulsar cards are as stable for everyone else as they are for me. ;o). "Jeff hoover" <jkhoover@excite.com> wrote in message news:45612d30@linux... > I am ready to go to the dual box thing...just a matter of time to set it > up. By the way, thanks for the recommendation on the DAC1 last > spring...it's has really healped me hear things. > > JH > > DJ wrote: > > I agree that it's hard to be produdctive when you're chasing something as > > elusive as stability or a certain functionality. It's a major distraction to > > the creative process. I bought the Paris system in 97 because I liked the > > sound of it. It just blew me away. I have continued to stick with it for the > > same reason. I haven't found anything yet that I like as much. I just can't > > live without the Cubase editor and delay compensation these days though. > > > > ;o) > > > > > > > > > > "Jeff hoover" <jkhoover@excite.com> wrote in message news:456125ec@linux... > > > >>Bought mine the first of '99. Still trying to catch up with you ...and > >>oh yeah, not just be a gear slut, but actually produce something. > >> > >>JH > >> > >>DJ wrote: > >> > >>>I bought my Paris system on November 27 1997. In a few days, that will > > > > be 9 > > > >>>years.so after 9 years I'm stiing here with the workaround that finally > > > > does > > > >>>everything I want. It's not nearly as elegant as a Fairlight, but it > >>>probably can do more since it can use a Native front end and VST plugins > >>>like the UAD-1. > >>> > >>>This thing has been running all day and hasn't crashed once. I feel like > > > > the > > > >>>dust is starting to settle and the realization is setting in that I just > > > > won > > > >>>a 9 year long battle to achieve what I want in a DAW..but it's kind of a > >>>bittersweet feeling considering I'm having to use two DAWs.......but > > > > I've > > > >>>had the scenario working more or less since last Christmas. All I was > >>>lacking was stability. > >>> > >>>Now if this 9 year old Paris system will just hold together.......;o) > >>> > >>> > >>>"Dedric Terry" <dterry@keyofd.net> wrote in message > >>>news:C1866D55.5905%dterry@keyofd.net... > >>> > >>> > >>>>Thanks Thad and DJ - that's what I've considered it for over the years - > > > > a > > > >>>>synth card mainly. Good to hear that kind of recommendation. While I > >>> > >>>would > >>> > >>> > >>>>love to fill the room with some hardware synths, this sounds more > >>> > >>>practical > >>> > >>> > >>>>to augment the softsynth library at some point, as long as Creamware > > > > lasts > > > >>>a > >>> > >>> > >>>>bit longer than Paris or Lexicon's Studio 12T, etc. > >>>> > >>>>Regards, > >>>>Dedric > >>>> > >>>>On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" > >>> > >>><nobody@ishere.com> > >>> > >>>>wrote: > >>>> > >>>> > >>>> > >>>>>Different things for different people. Deej is getting ungodly > > > > stability > > > >>>with > >>> > >>> > >>>>>it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. For > > > > me, > > > >>>>>I reviewed a Pulsar computer card way back when and also the Noah synth > >>> > >>>just > >>> > >>> > >>>>>as Home Recording was gasping its last and I had to go get a real job > >>> > >>>again. > >>> > >>> > >>>>>Creamware writes some *superb* sounding synthesizers, though I > >>> > >>>understand > >&
>>> >>>>>>> >>>>>>> >>>>>>>>>and the UAD will continue to be my 'bread and butter' EQ/Comp card. >>>>> >>>>>That >>>>> >>>>> >>>>> >>>>>>>>>will leave me with native stuff only for really low CPU things like >>>>>>> >>>>>>>samplers >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>and Absynth. Sounds like a good rig to me. >>>>>>>>> >>>>>>>>>TCB >>>>>>>>> >>>>>>>>>Dedric Terry <dterry@keyofd.net> wrote: >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>DJ, Neil, Thad, and others - I've only skimmed the thread here and >>>>>>> >>>>>>>there >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>so >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>pardon if you've answered this, but what makes the Pulsar system >>> >>>more >>> >>> >>>>>>>>>>attractive to you than Soundscape or some other DSP system? Just >>>>>>> >>>>>>>curious. >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>>Regards, >>>>>>>>>>Dedric >>>>>>>>>> >>>>>>>>>>On 11/19/06 6:59 PM, in article 4561099d@linux, "DJ" >>>>>>> >>>>>>><nowayjose@dude.net> >>>>>>> >>>>>>>>>>wrote: >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>>>..but you're still gonna want more cards..... >>>>>>>>>>> >>>>>>>>>>>;o) >>>>>>>>>>> >>>>>>>>>>>"Neil" <OIUOIU@OI.com> wrote in message news:4560f252$1@linux... >>>>>>>>>>> >>>>>>>>>>> >>>>>>>>>>> >>>>>>>>>>> >>>>>>>>>>>>"DJ" <nowayjose@dude.net> wrote: >>>>>>>>>>>> >>>>>>>>>>>> >>>>>>>>>>>> >>>>>>>>>>>> >>>>>>>>>>>>>Don't worry.you're gonna want more cards. >>>>>>>>>>>> >>>>>>>>>>>>One card had better do the trick... I can't afford more cards! >>>>>>>>>>>> >>>>>>>>>>>>My gearsluttishness has reached new precedents alread
gt;>>>>a 9 year long battle to achieve what I want in a DAW..but it's kind > > of > >>>a >>> >>> >>>>>>>bittersweet feeling considering I'm having to use two DAWs.......but >>>>> >>>>>I've >>>>> >>>>> >>>>> >>>>>>>had the scenario working more or less since last Christmas. All I was >>>>>>>lacking was stability. >>>>>>> >>>>>>>Now if this 9 year old Paris system will just hold together.......;o) >>>>>>> >>>>>>> >>>>>>>"Dedric Terry" <dterry@keyofd.net> wrote in message >>>>>>>news:C1866D55.5905%dterry@keyofd.net... >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>Thanks Thad and DJ - that's what I've considered it for over the >>> >>>years - >>> >>> >>>>>a >>>>> >>>>> >>>>> >>>>>>>>synth card mainly. Good to hear that kind of recommendation. While > > I > >>>>>>>would >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>love to fill the room with some hardware synths, this sounds more >>>>>>> >>>>>>>practical >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>to augment the softsynth library at some point, as long as Creamware >>>>> >>>>>lasts >>>>> >>>>> >>>>> >>>>>>>a >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>bit longer than Paris or Lexicon's Studio 12T, etc. >>>>>>>> >>>>>>>>Regards, >>>>>>>>Dedric >>>>>>>> >>>>>>>>On 11/19/06 8:26 PM, in article 4561126a$1@linux, "TCB" >>>>>>> >>>>>>><nobody@ishere.com> >>>>>>> >>>>>>>>wrote: >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>>>Different things for different people. Deej is getting ungodly >>>>> >>>>>stability >>>>> >>>>> >>>>> >>>>>>>with >>>>>>> >>>>>>> >>>>>>> >>>>>>> >
gs for different people. Deej is getting ungodly >>>>>>> >>>>>>>stability >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>with >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>it mostly as a mixer/ADAT interface in his whacked PARIS/SX rig. >>> >>>For >>> >>> >>>>>>>me, >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>>>I reviewed a Pulsar computer card way back when and also the Noah >>>>> >>>>>synth >>>>> >>>>> >>>>> >>>>>>>>>just >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>as Home Recording was gasping its last and I had to go get a real >>> >>>job >>> >>> >>>>>>>>>again. >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>Creamware writes some *superb* sounding synthesizers, though I >>>>>>>>> >>>>>>>>>understand >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>some of that development team has moved on. It's also a semi-open >>>>>>>>> >>>>>>>>>platform >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>so third parties have gotten involved as well. As a synth guy, > > John > >>>>>>>>>Bowen >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>was one of the main people behind the Sequential Circuits synths >>> >>>back >>> >>> >>>>>>>in >>>>>>> >>>>>>> >>>>>>> >>>>>>> >>>>>>>>>>>the day, including the ProphetVS and then after SC was swallowed > > up > >>>>>by >>>>> >>>>> >>>>> >>>>>>>>>Korg >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>the Wavestation series, among others. Now he develops for Scope > > and > >>>>>>>>>sells >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>his stuff at http://www.zargmusic.com/. For me, anyone putting >>>>> >>>>>Waldorf >>>>> >>>>> >>>>> >>>>>>>>>Wave >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>oscillators into a slightly hot-rodded Prophet 5 emulation is >>> >>>pretty >>> >>> >>>>>>>>>cool, >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>when it's John Bowen that's something like if Bob Moog had > > decided > >>>to >>> >>> >>>>>>>>>learn >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>>>>to program SHARCs and started another company. Oh, and there's a >>>>> >>>>>_sick_ >>>>> >>>>> >>>>> >>>>>>>>>>>modular >>>>>>>>>>>synth that comes with it and a third party package of modules > > that > >>>>>>>>>sounds >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>>> >>&
9OO1SXNzcH5Y VXYy85OSf8PSog8cssdv5gAcfvMtjrzj35p6gV7n7LuKRBSn3ygI+/j+VFtG bJA9yfL3jOzJ yBwM+9T3tvIlqbqC2Ugy7TGmC2PUUrSQzSIi26scYCeZkgkUILFW6t1Z2ZHi ZZBksycjj/PW vUP2WLQ2nx38PK7knFyMEd/ssvevOYNLsosyXIdW6tg8ce38/rXpv7LMNsnx r8O7J5GkDXJC 5wp/0WUd+SMfrTtYT2JLKez2G4k3NLjAj3fXBxT0JkACTwhkO1Qq/MPxrLkU yy/JbysUBw7K fSmx2ssF1GJpTIZFB/d4HI7EVDNDoLq7culvDI2ThXO0EA98/hT57DLlXdSD yj7RyKqx3thL M6TOVIA2r1PHHsKngWzEqM0wkaXONh5Hpn3pIW4yN5YpGjkChlYHzMYOaUyo 7XBEkxkPO4DG 0dup+tN1OSeNBC5ljRBuGwZZj6nviqUMkrOIMRPnG3sQfQ+t
wOa8nTWX XHzMvtmpTrshfljg9cGjme4eZ6n9ps0ALTc7ckCkOo2rAsxHopryz+3JWB3O Tn36Uw61M2F3 sAO1DlYLHp8ur28edpDMWwM9/emz+IooceWwHqBXmH9oXLt+7LE/TNTJDq91 8yWkzZ9qNQsd tf8AirdgIVUZOaxrzxE7ZUSMWAIqha+GtVuSDM0UA4HzNmtez8I2sbA3NzJP jOcDaCaHFsH5 GH/atzcMPLLOScYFXbDQtSvFEk7i3jJ6t1/Kuss9OtrYg20EcQHTaOT+NWQd iLkcg96FHuK7 sZ+k6JZWLCUIJXH8bjP5CtQkJHuccnvT4Ibi9nSCzheaU4+VBkk13Hhr4b31 wUl1eTyITg+U hy5+vpVXQm0ji9OtLzVLlbexheWRsDjt7k16d4Y8EWelQCe/IuL7aSGOCsTe w711Wn6Np2lW UkFokdqgXLlcZx6k15n8Rvi1pOjvNZeHymqajtwHJzBEQev+0f0rlrVraLd/ eEU5Hb+IPEml eGtKN5rF4qkITFEi/vJT6BfTtmvnD4l+LfEPjaUtKWtNMTPlWqnCKDwCT3PT muf1nXdZ1XUD quqXckl0zfKCcuvBGAB2PYfSooHe4hljS+CmQbik4PXuB6CinRk9Z6l3UdIi aTEkdtJD5Usc gBDSMcEr93nP+ea0ZQi2K22xHVRiN0AHccse9VruRoojbszJK8W5MZYfLjJB PTNS292iriaH ETAkFgAR9e2P8a6XYztYfYRiKB4I7aUb9pCq4Utg4OBg8cenrWhp9nIlw95M Q8Em0Bf4tv0/ Ece1Na5tobiGRs+bIuUKPlT9R+FWrFTGJYWu7q2JyzbgGwSwwOc59OPf0phY q3dis00jiJEY ANtKltw5P0BBqrdyrLKqXMEtup7qQg5wN2B15+nFafl38UTBb2MMOQwLrx3B 64OCO3aqV1qM<
br /> iQRRy2GDGQsv7voS3QYPf+goSHYujRtNd541lkEUke4AISQOOhGO3FZOtWsg cQTq3lgkBgn3 m6gZzwMHp9KluZ/MLNFNP5ijcivgMV5PfG4A4z9aJry2DRxSRs023DkyAhDj HXmhegnYZpsp g1IyiWWDbuwm3cNwzjBIPHB96ntb2F3ILxEvnBVipYDHX6/rVBkXeJlVW2uT tQ5UgdcDPrxz Vy1Nul2jukUasxZJnOXUDJH4jB/M/Snq2JHkwTzpXjE4UAcFafBFm4AydyYP BGM1SuI/s7qu whWOc96tRwk/MZGVeq4OCKNLCWxNcJIku9pXVCwG2MfeFWofLuS7eUxUDHIw Qar2fmsAJA0i 8nryBU0csiyeTtAzn7x4OehpPXYfUka8EMflPFKgQZXHzAnP6VYtr5nl82RS wQZCrjPI6Vk4 ZGKyks+cjdwKkheNF3sEGf4V6DFO+g7lu9SJl+1SSsok+aOMtuyanR4mhkec CNFA6AZz7Cqd olkZfOnlC7DlVJzgZp975ckBkEm1dx2gZyaSuLYfLHZyx7UnZRjJDDJzUSo+ 0Q/aXyOioeD9 asWscUOmybs75OSc/wCTUIheK1aRWd5OgyOD7k073DYj8iWzw7srg5OP7v41 A175zSrsC4H7 s4OP/r1pWoaO3YymFsqSxPce9VLmz82FZVlUE+gxgUumoMS0MsmPLl82Mjr/ ABD8KtTKs0Mk tt+6ZBtLMck1Xt7FyUks8qvGSxxuqeCGVFmM6xqm7ovWhaCWhk2qXNvfLLps skdynzZ+6Gr0 3wz490vWLYaF40tVf+ETMOQfXNcSl0kKs8sMkjbuNg5UVW1JbS8lLyIyjGBk 4ZfSsK2HjV12 ZcZtabo7Dxf8MLuG3bVfDMw1Kx+8qo2XUfSuBvJ5RClrNB5Eked+Ewzf71av h3xd4j8HzGS0 umntFxvRjkY9MV6LZeKPh74+iEeu2kem37Db58Y28+tc3tKtHSauu5fKpfC/ keOGR12qSduc lW6VJdbRCPLY4ODtz0NeleI/g5rKRG+8OXkOr2Z+ZdjDfj6d6841Cy1TSma2 1Gymt5l6iWMj v710U60J7MzcXF6kMse5Y3xglchj1JpiQl5HEijK8n/PeieffCiuzZA6AdBn 1qaILksrkAjk +la6MS3IWhgCAjIcoCM9KbFbFgWQOdq5IAzj1zVzCRzNHGjSFGzuxkFf8kVF ApE0koOcAhuS ODik4pgVTC6KWYkKeVPrU32W5UCRRwQSPfmrE58p1hEKo3UAdweeaSOTKFWZ k8vOWzxg/wD6 6XKhlRUumnMQbOTwV5pHSQYy7DgYyOuauIsH2iVomDL5eCRx+lQAN5odQrAp g8e9JRT6Cuxj xrEjrIHMuecnjH4VIGRSrRBldMfeUY681ZxFE0kFwmSCVQK3BY96a6Q/ZnuT I3mt/Dt498+l VG3QRCI/PkkJJzNyoX1J/wD10SwxQpEzOHDLuGenuv55qTyjCYriJQRgNuPT Oen86kt7G9vp hb2Vs1xLkHake6nzK247Dre6YRbQyruOODgjHQjHGeT+dRT3BnZ0ZvNG7OT1 Nd54c+EOvati XVNunW4555I/wrqf7C+HPgiFptTvlv7sdIwwJzXJUxcIebLjCTPOPCvhK/1S cebttbTOTJKu Gb6DvXUeOdB+GmleG4Gdrq61MnAgD7WI/wBv0qv4l+I2p6qn2Lw3p8ekWDfL 5qpgkepPWuHe BGLzy3DzXJOTLJ0zn3qFGvWak3yr8Svcjpa4ur65qGrGKyjRdP02FAsNpHkI qjPAHr7mrek2 Omm2kae6jEx5CKp24PqaY9ogjLBgShJK+2OgqGBPJuyZC+AuQypwB+H4V3wp xgrRMm7l23mi srWRQIp/N+b5c5B7DFOsjNeJsnk+8e64Kn/JqS5nskTaPmLfNHIy/d9hTkdX jBfas6Hacdwc Y5/E1aHsSR4ETRgFc8b8dOTz+lViI55bhluSy7sOVJ+Y9cY/CpdphRGSWORv 7zqcBs9MCqV3 5ZuQwkMTcZCIdpxzx6+mKV7MWpZlt98XkOfMQ8AZx74x2/8ArVHc3K2tsYJo mXaMlQ3fP6cY o0+R7SKQNKeu4NIOnriqV3cWZmMZaTIY7mzkD6ZqhX6l2K+SUuIc9cksTkjH t3qpdPGFw7Sq cZyW+bHqR35qFpLW0K28SGQtwrdBg57d+tWIZxKZbYuXmVSqgEYJyDjkZxxS aHdsqWdnNLGi mJZBlsqq88Z7/lV6UKwLIjmBFC7ivLH0A6ZzUO6UhUiEUlw/3ccNnpzzyf8A CtBZwlspKA+Y MMNvCtnkkdqN0SkYd9DNLh4lCkADBGAeOnqD1r079kyS4j+PPhuJkJVhdB9z Z2kWs39RXA/Z Z7mUYmO45AIzyPTI/CvR/wBluPZ8ffDUe1h5Zu8EjqPss1Ve4mRTtc2pD23l xDb8xfke/HSp EjtLpiEcthPmZR1b6VBC05doZGM6AgE4GT/jVmKcxT+SiHMh6njcOlZtdza9 yZL20t0RSdjw 8/OhBbJ5xjrVu3voD5k0qGPjYNqlufzrBcyGRluCzvnhfujH1qSN4UhbeSok B+VW6df1zQth dC3KrwXMbXUxkJ4EY4IGOp//AF1O8Nv5cYecQ+YpOwjr+vFVbZLSNXuZroSX DrgAsSR7VFdW 6zXqxNIDuHzqD0HpmgBZYJI5TMlxC6MORu4X0PNRzJqLgSLPvjAJbB2qfoKu X8KS3sccDsqg BWAHX06VDEJftLoQvkoABvO0t7kDr9KNbCKE9/DvigKkF+WOckY6Uy3uLphu Vg6nIYBuU+vr V++tY7p
5/LaFCp5CDqcdc1Rs9OkB32z5lVjvdjgfh79qA8yS5QiOSa1bfJEu HZ+APoKp6XMk 1wPM/feXw3GQPpmtFLadXuWnjRV3ZIVjuP8AiKiS4hgKmW2lZ2bBaNQeOwNF rgtTPvVhmcyp 8oI2ttJzmuf1OZriWS2CSoUbO49D7810/wBpjDnBKjeHHTPHaq8v2W8ufLln VRJ8wBxk57fy pA7GRoOpX+lS/bbK9uba7hO5JI22kV7t8Mv2jfMWOw8ZWy3IUY+2QcSL/vL3 +oxXhl7psMcM k0auZAfn285HtWIsTzSYiUo+MFmBGDmsp0VJ3WjBTsrPU/Qrwv4l0LxJbG48 P6tb36DBZFbD D6g81b1bRdL1eHy9RsYnJ6EjkfQjmvz0tdW1bRL0XOl39zbzRH/WwsUz+Vex eAv2ndc04xWn iWxGq264UygbZQPXPQ/jWVpx+JX9P8v8n8huMZbP7/8AM9q8QfC2QF5dFuyA eRFIf5GuM1Tw 3relBlutPmUD+NRuX8xXf+Dvjd8O/EwRLfW0srhusN2NhB+vT9a9Ct54LuAS wSQ3EDDh0YMp reE4PSMv6/Mzkpx3PmOYRkYOcqMfWoGhG4EOQQfWvpDVvC2gamCbvTIGY/xq uG/MVyWpfCvR p2LWV1PbH+7u3D9aqU3F6opTTPGmV8EZGfcdaZPBDN8jwQkkYJKDpXo2o/C3 VoMG1v4ZRn+J CKyJ/AfiaJiTZxygd0kH8qPbRva4+aJw76NYSRYaxg9cgYNQ/wBh6Zux9giJ LZ4z0rtZPCfi OJSW0qcgdCCD/WqLaLrEYwdLulxycJTTTBcrOa/sHTCpdLGIHPX3qWPStPhI A0+3Oe5XpW// AGDrZjEq6VdkZwPk4qSDw14inVVj0ubk9WwOc/Wh1YLW4XijDjt4oTiOGFc/ 3VGamTO7DMNn THrUWojUrW+ms20yTzoHaN9zADIrsvA3gi58RaCuqyX6Wo8x0eIR7ijKcdc/ j+NZSxEIre5T Vjl41jDMPXqRTg6HCKGYnoB1r1nSfhpo8bfv3uLssernAH5V1+k+F9E0zBtb GBCvQ7BkfjSj Vc/hRMp26Hidn4O8SXsSvHpk0aHoZfkyPoef0rs/D3wtgQCbWbhic58pDhf8 TXbeIPFHhzw9 E8upatZWrAZIkkG78uteSeK/2htFtSYdAtnv5OnmyfIgP06mpniYxdo6vy1G oTkr7I9e0zSt O0iDytP06GFFHLkBRj1z1rkfGnxS8K+G3eGa/GoXgBxbWZGM47t0r5w8ZfFT xd4llaK7v/Ks zk+VCxRSvbAHX8TXAL583zreOdrAn5STgE/5wfSotVq/E7L8f8vzGowjvqep eOvin4i8TzGM yNY6Vy4toB8vH989WziuNsL22ivdyOAS5yNoIOVGRk9jx+VVrq7t0gETSBVX nZH/ABHGeRVO AWUEX2ws53DDqowQf5dTW1KlGC0CUmzfuZXlcybgj7RhNg44xg88jntVGyt5 nkZgpP73CPGx 3BcdQPQg1ds54JrgW04AZl8yNMAnLKcDmrFs1xGvl28aNcnOI1YqeOoI79O3 pWyRNixJ5ZhC ljJHEow5zjf047k5/DiqWoidZ9yREwH5Scfd98dCOK6Bp0FusMSD5h5kbn7q H2PYk5/CozYX JSS5JJjUj92gOScemOnWm1fUGUrW8tIpCt7Y
Iso+TzWjUqx6joPStG1vrK/Y Wy+YZg5DEufl 7Dr1xmqMzuyi0G0RTktscKMnjoTnHQ8UzRzCqC58oxygkLs9STgfqB+VMNyz JHIDJEs0kkgx +8PJPqCO5Ge1U1jvppTbrDEWUYzIMgkY5P8A9erUuorvaOC1LkHDeYwyGJzj ipZdkZtCIdoK jDBgjZz0PHTp+dJBuylZ6Vd28cs0Q2FyqMytjI4wAD7kfmKIYBdpvuZ42UA7 0TCjbnGOM89O SPwqw51KURqgmZQSykYOcZB6/T9K543l+tyRMBArD5kXhz1I56DNNLqGly5H bpHeGSzkkKI5 IWT7y/gP9okZFRx3XlzcxtPEy4B3EHuSAPXtVWJ18oSi4lVi5Ztyckcc5z6V dsBDPA0zzRyX AddnmAZ246foOfpTCx5wXJbdcxkkng9aRGGAzK6E9D2IqF7gSTIElyFP15pj Bl2q7b0DZBU9 KDMvPNtyzNnsAB0FNnklkmiBlVsDggY7UR3G0YMCgueGY5NEUqEsuSNvYDOf 8KTvsMdBJNdB o5Asuz5ff9KtW1vDLdbZQ6RqPujjPuajgSCGVbiNCCfvDJq1Fe2mJWnjbaz4 Q7eTSaGkMmW1 QgJESWPp1+tWJQAqCaFokboB/SqUyRs5mEbOf4RnGKerSOhiulcqMEBTg0WH omXnWOCWNYcd MnfjA+lOaYNbb7dfNTOCq9T+dZMqllZYy2EPVsYH/wBepWjuUjQcIjDnDdaX kHqK17HHcMlz C7R4GBgEg/hVi9vLNbdEgYths/Q46YqhENjcFZUJ5GadItosvnCRVhLbju/p VaPcL3JrK9ul SUsqo+OA/p60+TVS7iVVI2D52ZeDVPULhWk8oDZCwHzE8kVGotY0USsZYlBJ IPBpcoItm6Fx IUA2iQHBGacbIyhI1kAIwSwHT61BBPBMj+THIMAHC8c+3tWlC0ojjJJj28k4 FF2FtSnqVkqm MZWUspHPArHms0kkCrG0MnYoeCa17iRZJ2lCE4OFYnAyaZYiRTKo/eSoOGzx im13FYf4d8U+ LvDUiNpt9ONp+ZN/HHtXpWk/HSy1KBbLxx4Ys9Tjxgu0QDj8a80sIIp2kFwB GgPUnkml+zWr 74SBKiKM7jjB9q5qmFpy20fkaKpJLXU9X/sf4GeKkLWGr3vh+ZuRG7bkB9Oa 8q8RaHf6fr0m naTBJrdm7bbe4tl3B/wHQ1nX+jwr81vvX1IPTn0qGG11iylxZ3zrg8YYrzis 44etB6SuJyT6 HfS/Cr4mWtglwnhm5MdwgfMbBm2nHBwcjtXM6j4c8SafEYb3QtRgKHB3W7Ae 5JxzWto3xP8A iVoUSRw6rdvGoAUFtwxXTWP7RXxAt0C3NvDcr/t24P8ASpcsQmrx/r8CrQf2 jyu4W4VNsiyx vuGSVINRtNN5HkKGaMdcLknOP8K9mH7QV9cHGp+DdFueMHzLMc/pUDfHHQAx cfDjw/G54JW0 Uc0vbVOsGDgv5keOjzR86xygdD8prQsodSlXy4LOSVSAGAiJOQc9a9Tb47wI hNl4D0OIdObN T/MU6T9obxWE/wCJfoOnWoxjEdoAB+lP2tZ7QDkj/MjitJ+H3jbWfL+w+GdQ YKAQ7RFcn6mu 30b4A+L54QdVntNMtyQxEjgt+Of8aydS+N/xQu7ctHd/Zo8cbFC1yOqeKfG+ ryL/AGhrlyyy Hn94e9K2JlskhWprqezQ/Dn4c+GYg3iLxTb3RQ5MYfP6D/GqepfFf4f+GY2t vCmifapF+7Iy hRn6CvFoNPac+ZcSzXTBjuV2xSm1ezdQsXk4JIOzJYdx/Op+pzm/3kvuK9ok vdRveKPir4s8 SsYFm+x2zEhVQbRXJtAXkSa9mknkc8sSSAamlaBhN8rs5PVeASfWtC0eSS1E UitFGF2g7QcE 110sPCkvcWpnKUpbsiQyqqS21wZIjjCscYwcY+tX0RriQmQllAJVThcd8mqE MTRSlMPc/NmM AZU89qtTRsAirvcFvnXPC5/p/hW+grBY3bramFwhBc4AGTjP86t+ZGl4kYcK 4XdlhgEEd8c8 dKzgqIFMSNvU5+TA9sUmpXFxGqPLZ72C8Pkbu2eB7ik0PQtPK0ry2yRIrs2O vXPeqcgaKTy5 GeLYQwkA4PODnNVku0+R5ElEj92XGfSrcsUV7a7pEO8tkGNhkjjAP6imTvsL aXE1xdNCZdkI HyscADt19eKmmmFxeBG2+XnOeuSQBj8KoLAkduftKy564A5zz+n+Ip4EaJGE AG/oxc4B/DpR sA6YOPJiSE7JOQozjOfeq0sKo5VV2B1z2Zu/5Vcv5blBChuFlB+VtrYGDgkZ PpVa0I84F98c ankHBByDijUSWpWjt2WRI1V5Ch3An+L0A/SrtnbefG1ypaOTdlXJ2n06Cln8 9pN1rHGMEheM ZzzmluHa2nM8mwFcP8nGeO2OKd0OyRFLDcptmlVJASVMoHRvf34NJZagyzNa y2zMNpAyBkHo f8+9WjeWt27tFIGcHcQRnnFQ3MZfbOqLv4AA6r05xUq4WKLSiNl2yypl8gEZ IPr+ea9Y/ZWc TfH7w1KjeYMXW47uh+yy9vX/ABry66cvMI0t1ZQGGAudvPXPWvTP2S08v49+ HiNpDfahxzjF rL1qxMrrcEKH3MQBkADBJ/rUVzcSTCACVWUNwNuCvtUVrctFGpWKPAXaA7ZP 4VKspMzR7X5H OwYz7VJew61lnvnaGUJMY/lHHzYHPartnb27TStcrIqoDsQHA6fzqKFY4pEu Utdjj7429f8A A1NHqscK+VcWo3TOTHkjIFJDTHQiD7YsNvArEDOGIxz3+tWo0gNy0d0GR1Gf vdvbtWb5W+QL beV5rn7+75gf5Yp0inyd00SvKnDPnByO1KwJWL8FzCHSN2TcXIQAZIP+16VU 1S4nhY/ugW3g DDglx9OtQQQM87n7QinbnnJxn39aieDZJhmkaRcksFJHH8qEHQuDU9OFnIVt 5IpXB+Q9MZ5P H41Ts7q8WV5WUJGV/dFufzxTZZLeS33yqFMIw8qrkEZ6DjrVa91CO5to2tto gIwygZY49fSn 1FqW5NalKLIRjyh80hA+f6CoDI92SjLsRgHDY7+lQiaC1jSUWpZTlkDjkt7C predbuF3McMJ VwCSTx7/AFpAtSUaUJJ/PaSRETvgcisW/tTHcNJb7GIcjPc5rqLgPFE5I3uU wOeMDuc1hXaK 8YXI3BsgKMByfX1poDOWa6gj3MrKsoIyTznHapLaZHjWOLgqCTgA9e1aeo6b dh4XKbU4JG0f KMdKpaidPSaPy4whLfMx/wAO9JaBrYy7+BQu1GDAncVH09K567DFtpXaASc9 C1dZPb+ZFvty vmEHpxwPSsm902QuS7EcdSc07Eu5hRwpHteN2QsK6Lwx4z8ZeG5kfSdevrQL yV847T9RVeC2 8oFJF80k7lxjIpyixeZFchWCktk8k1
nKEJaSVyouUdnY9U8K/tReN7BjBq1l Z6tGh5dk2vj6 rivStB/al8M3fyazoN5aEfeaJxIox9cfzr5W1K2S1k821bcGIDHbnGRWfbW4 UyI7MVY5IP55 qfZ2+GTX4/ncOe+6X9eh926V8dPhlfxqW1eSzzx+/hYfyzXR2HxE8AXag2/i rTmB6B5dv8wK /PCVTMTBEdqKcHnkU3Y6LIyzSDZk49ccVHs5rt93+Vh3h2f3n6Swa/4Zu1DQ a9psgJ7XSf41 LJcaO4+XUrBj7zIf61+ay3l55qPHcyBVA3DecL9a0LbUdRlg+W8kXIx94460 OlJrZfj/AJgl Dz/A/RN7/Q0QiTVtMX1zcpWfc+I/C9o3zeKNIgCjkCdW/rX53Xd5qdux865n J9pCQR2qOKa9 e5R2dlygON5Oc/yrP6tJ72/H/ME6aez/AAPsbxpqvw4fWbm+m8fJGZvmeK2t w53Y5IJ4xwKp aV8avh54Z0X+zNIOraqFYs0j7UDsTyTivkyeBpWD7ZBJGPmG7ggU7awg/ebF b+DB6exqFg9b 839fO5ftV2/H/Kx9Lax+1HOqywaNoFvHs4VpZC36VwXiP41+Otab7Lda1LZw zJu2QoEA9uOf TvXk2QysAqF8/Mc8Vbntr7yk8tklIGMd/wA63+rRtaWvq/0JVR9EXbzUL7Vb l4Z7lpJM5Lu5 Jbvnmqvm+TcEM7K8eVAXBDen61EkN5E8RktNinjeOcn/ABrUktIrm4hiJiE4 QBjyCR0OP896 2jTS0Id5Mfp1wwtd8s+ZiCixseoPT/PvV62heeFpVjLzDczMByvH1+oqnbrE LkxG3AcLwxBO 4/49uKv2qqIpg8skcwDAoqgLgA55/L/61NaoYi2+U3zQqJNwYAnLDnn5ce1H 2IvcfNvcSnDZ xgY9vcUttvmKmQqVUfO4JVi3X1rZlikuHRRN5QPKDhivY/oaeyEO02x+1uzz fupkYJGCfmBB 7Y/GpLi0uomVnZJndWAfo+4YBBHXv+NOupjaTpMZDNKAjgvgEjHJ9fXH0q5Y 3wvrcXiWzxbX wQ54xk9fxHemtUh6kNnfTXNhNaS2qsUcLkEBh2APemWd5Gt1LD5lwFbCkydC BwCwAyOeM+1X CIlkFwswKAbkyMMM9Tx/OqrB38kXM6SE4xggnnoDn6/pQlcEWp9PeOKNtvmu Yw23JGdpGfmP fGCPxpsVjIJXj8xWkUeYwizlWwBggj1HpU8q3iwG5a+jZN64ixjBzj9Qevv0 qlB5sV+sUlzE 4lBkUMfu56Y9fT8qEGiJNGZdPYtcwCfeAqJKc4Y5J4568HPoahklaWK4ivJx DGG8yEBcDrgD 2PHbjiiZpY7ArKGcg5AC7gflyciktDayIN58qNoxhnXhgTnjng9eKfqA83TN awXNrKgYRMJI /M+Yk8E4+n8qrPErwq0sL3DSxgfKzHnkensPyqe5a2cOA/miNDujVc546jOM e/PbvT9Ov3Nq zPA6xNGBHvGMHceD75oadgv0E0+OOZIy0jW7szJPG44UHOPf8qXW9ItYrrek 6ER7URwT5bsR wMg8Hn070ancW9zJl2JZgPLzGMYHXk++ar2zsJLm2mkd1Qb43XO1AME4zyRg c00+wtjzCWO3 QkCN9x7iq7F4wipEjA85zyK9gutC0u65ltEz6rwazJvAtlPIv2eZo2HTcMiq dOUWLlZ5yJQ2 XWIq4HUcA1fgeNY1ZljQnqx6fSui1vwo+leW8ssM20H1/wAK5bUYmDqQwCkg 7ewHpWelxW6j 2uEJISf5A3zHbn6c1DNKJI1WRASvKljj9Ks/Yk8jdn5TzjFZEnLkf3W4Hans DNeBJCqynKxd CSw/lV6KQSL50jfMvypzjcKzbW9V0Ma26AryW61KmZGMjdVO1AOgpWHew6aO RQ8cp2SZJXA6 +lMt5rmT9zIvLkfe9KuzIbUItwxlwNwYdarahNFiKTYWVflAPGT6mn5dQvct 6lHYZFski
s ! >> I have noticed that in Cubase SX without any direct monitoring you can >> record >> without crackles but this is like when not full duplex you might get away >> without crackles but in full duplex there is no way around... >> Usb is 1.1 >> Regards, >> Dimitrios > >The 1081 is much more flexible and you could probably get by with it alone. There's something about the shelving freq's on the 1073 though .....they make it easy to nail certain source material very quickly without a bunch of noodling around...and god forbid that we should have to noodle. ;o) "Gary Flanigan" <gary_flanigan@ce9.uscourts.gov> wrote in message news:4561ee8f$1@linux... > > "DJ" <nowayjose@dude.net> wrote: > >Man this is a nice EQ. It's got that *sounds like a record* kinda' vibe
[binary] MzcsMzQ4NTAsMzQ4NTIsMzQ4NTUsMzQ4NTYsMzczNzcsMzczNzgsMzczNzks MzczODAsMzczODEsMzczODIsMzczODMsMzczODQsMzczODUsMzczODYsMzcz OTYsNDE0ODMsNDE0ODQsNDE0ODYsNDE0ODcsNDE0ODgsNDE0OTIsNDE0OTMs NDE0OTUsNDE3MjgsNDE3MjksNDE3MzAsNDE5ODUsNDE5ODYsNDE5ODcsNDE5 [binary] ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAKICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgIAogICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAKICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgIAogICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgCiAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAKICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgIAogICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAKICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgIAogICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAKICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgIAogICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAKICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgIAogICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgCiAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAKICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgIAogICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAKICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgIAogICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAKICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg IAogICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAKICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgIAogICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg CiAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAKICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgIAogICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAK ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgIAogICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgCiAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAKICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgIAog ICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAg ICAgICAgICAgICAgICAgICA
2crSnozW2t/ [binary]
H16A8hyGwr2Hz+L [binary]<b
> The >>>> plugs definitely has character. And the interface is is nice.. >>>> >>>> However, like most Mac Firewire imlementations, is not very robust even > >>>> on >>>> Dual G5's 2.5 processors..Which kinda negates the whole DSP powered >>>> thing. >>>> On the G5, I'd have to say all any of those DSP based units are no more > >>>> than >>>> DONGLES. >>>> >>>> Yes, I know a lot of Mac users are not aware of the fact that to get >the >>>> most out of such units, you have to purchase a Separate Fire-wire card. > >>>> But, >>>> unfortunately, most Mac user's go righ into the on-board firewire slot. > >>>> Which >>>> does not yield max performance of any of the DSP plugin units.. >>>> >>>> My point is this. I feel bad for mac users when they spring for such > >>>> products. >>>> You see performance complaints on user boards that frankly , PC DAW user >>>> don't see. Even worse is when your So -called pro magazines review such > >>>> units >>>> witha Mac!!! Yikes... You already know that the review being the ( TC > >>>> Powercore, >>>> UAD, Liquid mix) is not going to go well. >>>> >>>> As if these reviewers (All Mac users) are on going to "will" the >>>> manufactuers >>>> to make their dsp product perform like they do on a PC.. Not gonna >>>> happen.. >>>> Frankly, it's really starting to pi