>>>>> >>>>>>>>>I have a bass track that this band I'm recording is happy with >>>>>>>>>the sound of, but I personally think sucks... OK, maybe I >>>>>>>>>should say it a different way: "They like it, but I think they >>>>>>>>>might like it even bet
>>Problem is "Farty distortion", BTW. It may take a re-tracking >>>>>>>>>with a better input chain than the bass player's Carvin head >>>>>>>>>line-out jack, but I want to at least investigate other options >>>>>>>>>first. Worst bass sound I ever permitted to go to track... how's >>>>>>>>>that for an achievement? lol Totally my fault, though - >>>>>>>>>despite the band insisting they liked it, I should have at >>>>>>>>>least taken a direct feed though a preamp or direct box on >>>>>>>>>another channel, as well. >>>>>>>>> >>>>>>>>>Neil >>>>>>>>> >>>>>>>>> >>>>>>>> >>>>>>> >>>>>>> >>>>>> >>>>> >>>>> >>> >>> >DJ, you need this, It's freaking sweet. Get it from RMCAudio.com and with double kick and two plastic beaters. $4700 will get you going plus $60 for the compact flash from staples and $100 or so for all the drum presets you'll want. http://www.zzounds.com/item--ROLTD20SBK<br /
ter if I could improve upon it :D >>>>>>>>>How's that for politically correct? lol >>>>>>>>> >>>>>>>>>Anyway, I'm thinking about reamping it or maybe Sans-amp-ing it, >>>>>>>>>but here's my question: If I pick up a Bass Sansamp, I know the >>>>>>>>>input isn't designed for line-level stuff, so if I run the >>>>>>>>>signal out of a line-level out on my convertors, then through a >>>>>>>>>mic pre that also has a line-level input and also an output >>>>>>>>>level control (of which I have a few), can I just feed a very >>>>>>>>>low level out of the preamp into the San
> > > >> >And Neil... I dont think thats a good idear... > >> > > >> >"john" <no@no.com> wrote in message news:4472fa19$1@linux... > >> >> > >> >> sans-amp sucks. i sold mine on ebay and bought the Ampeg SVPCL for > >$350 > >> > >> >> used. > >> >> Awesome! The tone is EVEN and LOW where the sansamp is neither. > >> >> http://namm.harmony-central.com/WNAMM04/Content/Ampeg/PR/SVP CL.html > >> >> > >> >> > >> >> > >> >> "Neil" <<a href="mailto:OIUOIU@OIU.c
> >> >>> > >> >>>I have a bass track that this band I'm recording is happy with > >> >>>the sound of, but I personally think sucks... OK, maybe I > >> >>>should say it a different way: "They like it, but I think they > >> >>>might like it even better if I could improve upon it :D > >> >>>How's that for politically correct? lol > >> >>> > >> >>>Anyway, I'm thinking about reamping it or maybe Sans-amp-ing it, > >> >>>but here's my question: If I pick up a Bass Sansamp, I know the > >> >>>input isn't designed for line-level stuff, so if I run the > >> >>>signal out of a line-level out on my convertors, then through a > >> >>>mic pre that also has a line-level input and also an output > >> >>>level control (of which I have a few), can I just feed a very > >> >>>low level out of the preamp into the Sansamp input, or will I > >> >>>run into impedance issues with this method? > >> >>> > >> >>>Reamping's no problem - I can easily rig that up, so if this > >> >>>other option doesn't work, I can always fall back on that, but > >> >>>for another choice, would a Sansamp box work in this instance? > >> >>> > >> >>>Problem is "Farty distortion", BTW. It may take a re-tracking > >> >>>with a better input chain than the bass player's Carvin head > >> >>>line-out jack, but I want to at least investigate other options > >> >>>first. Worst bass sound I ever permitted to go to track... how's > >> >>>that for an achievement? lol Totally my fault, though - > >> >>>despite the band insisting they liked it, I should have at > >> >>>least taken a direct feed though a preamp or direct box on > >> >>>another channel, as well. > >> >>> > >> >>>N
eil > >> >>> > >> >>> > >> >> > >> > > >> > > >> > > > > >What is the best way to patch a DBX Quantum into the master. If any one can give me the step by step it would really help as I always forget how this is done. Thanks, again....It should look like this, only in orange. http://tinyurl.com/gytrd Glad to help, John "DJ" <animix_spam-this-ahole_@animas.net> wrote: >So now I've got to buy one of those compressor thingies? > > >"John" <no@no.com> wrote in message news:44758e35$1@linux... >> >> DJ, Also add 3 to 6 db of compression post to get it right in the pocket. >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote: >> >I just ordered one of these from MF. I want to A/B it against my *go to* >> >bass DI which is an Avalon 737. I'm gonna give it 45 days to infatuate >me. >> > >> >;o) >> > >> >"john" <no@no.com> wrote in message news:44735027$1@linux... >> >> >> >> Ymmv but my sansamp was crap tonewise and this Ampeg preamp has totally >> >infatuated >> >> me. You need to try them but I will never have a sans amp again. The >> >tone >> >> to me is totally amateurish and not even at all plus low signal output. >> >> How sucky is that? >> >> John >> >> >> >> "justcron" <paris@hydrorecords.com> wrote: >> >> >haha no it doesn't >> >> > >> >> >And Neil... I dont think thats a good idear... >> >> > >> >> >"john" <no@no.com> wrote in message news:4472fa19$1@linux... >> >> >> >> >> >> sans-amp sucks. i sold mine on ebay and bought the Ampeg SVPCL for >> >$350 >> >> >> >> >> used. >> >> >> Awesome! The tone is EVEN and LOW where the sansamp is neither. >> >> >> http://namm.harmony-central.com/WNAMM04/Content/Ampeg/PR/SVP CL.html >> >> >> >> >> >> >> >> >> >> >> >> "Neil" <OIUOIU@OIU.com> wrote: >> >> >>> >> >> &
gt;>>I have a bass track that this band I'm recording is happy with >> >> >>>the sound of, but I personally think sucks... OK, maybe I >> >> >>>should say it a different way: "They like it, but I think they >> >> >>>might like it even better if I could improve upon it :D >> >> >>>How's that for politically correct? lol >> >> >>> >> >> >>>Anyway, I'm thinking about reamping it or maybe Sans-amp-ing it, >> >> >>>but here's my question: If I pick up a Bass Sansamp, I know the >> >> >>>input isn't designed for line-level stuff, so if I run the >> >> >>>signal out of a line-level out on my convertors, then through a >> >> >>>mic pre that also has a line-level input and also an output >> >> >>>level control (of which I have a few), can I just feed a very >> >> >>>low level out of the preamp into the Sansamp input, or will I >> >> >>>run into impedance issues with this method? >> >> >>> >> >> >>>Reamping's no problem - I can easily rig that up, so if this >> >> >>>other option doesn't work, I can always fall back on that, but >> >> >>>for another choice, would a Sansamp box work in this instance? >> >> >>> >> >> >>>Problem is "Farty distortion", BTW. It may take a re-tracking >> >> >>>with a better input chain than the bass player's Carvin head >> >> >>>line-out jack, but I want to at least investigate other options >> >> >>>first. Worst bass sound I ever permitted to go to track... how's >> >> >>>that for an achievement? lol Totally my fault, though - >> >> >>>despite the band insisting they liked it, I should have at >> >> >>>least taken a direct feed though a preamp or direct box on >> >> >>>another channel, as well. >> >> >>> >> >> >>>Neil >> >> >>> >> >> >>> >> >> >> >> >> > >> >> > >> >> >> > >> > >> > >I'm on page 5 so far but it looks well thought out from scanning it. Chris at vexpressionsltd.com is amazing. He sold me some presets that make this thing awesome. The stock presets blow. I mean REALLY BLOW. Plus Chris knows the box inside out so I can ask him anything. Very cool cat. And there's the www.vdrums.com forum too. You gotta get one now!!! You'll need about 1000 sq ft just to open all the boxes. You have to supply your own kick pedal(get the double kick from yamaha), a second plastic beater, a snare and hi hat stand, a compact flash card, a CF reader and the presets from Chris (i bought $200 worth and he gave me exactly what I asked for, listen to the demos then email him). You'll rock on ! John John "DJ" <animix_spam-this-ahole_@animas.net> wrote: >Cool man. Is the Roland manual fairly easy to grok. Last Roland product I >owned had a manual that reminded me of a military tech sheet. > >Enjoy > >;OP > >"John" <no@no.com> wrote in message news:44758fad$1@linux... >> >> DJ, you need this, It's freaking sweet. Get it from RMCAudio.com and >with >> double kick and two plastic beaters. $4700 will get you going plus $60 >for >> the compact flash from staples and $100 or so for all the drum presets >you'll >> want. >> >> http://www.zzounds.com/item--ROLTD20SBK >> >> DJ want.....DJ must have......DJ want.....DJ must have......DJ want.....DJ >> must have......DJ want.....DJ must have......DJ want.....DJ must >have......DJ >> want.....DJ must have......DJ want.....DJ must have......DJ want.....DJ >must >> have......DJ want.....DJ must have......DJ want.....DJ must have......DJ >> want.....DJ must have......DJ want.....DJ must have......DJ want.....DJ >must >> have......DJ want.....DJ must have......DJ want.....DJ must have......DJ >> want.....DJ must have......DJ want.....DJ must have......DJ want.....DJ >must >> have......DJ want.....DJ must have......DJ want.....DJ must have...... > >Congrats T! I don't follow the show but just read that your guy won. Excellent. Somehow Paris must have played a small part in his victory, right??? - Paul Artola Ellicott City, Maryland On Wed, 1 Mar 2006 09:13:11 -0600, "T.Rossi" <t.rossi@NOSPAMearthlink.netNOSPAM> wrote: >Hi all, > >Haven't been around here much in the last year or so. >Glad to see that the Paris community is still alive and well. > >Anyway, there's a guy on American Idol this year that I used >to work with quite a bit.
gt; >>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: >>> >>> >>> >>> >>>>Here's the deal. I've been running Norton Systemworks 2002 on my internet >>>>comp, renewing the antivirus subscription every year. My subscription >>>> >>>> >ran > > >>>>out yesterday and upon trying to renew it, I was informed it was no longer >>>>supported, and I had to upgrade to whatever 2006. Since I've read some >>>> >>>> >of > > >>>>you are down on Norton, I thought I'd ask for opinions on what to switch >>>>to. Sooooo....what do you guys like? >>>> >>>>I don't use the norton firewall. I use the free Zone Alarm one. >>>>I kind of like the system tune up thing that Norton did. I don't think >>>> >>>> >I've > > >>>>had a crash...ever, on this comp. >>>>Rod >>>> >>>> >>>> >>>> >>> >>> >>> >>> >> >> >> >> >> >> >>hey, >>is this stuff superior to AVG? >>j >> >>TCB wrote: >><blockquote cite="mid44737517$1@linux" type="cite"> >> Best way to deal with viruses and network attacks? Install >> >> >Ubuntu on > > >>it. BY >>FAR the best option, though you will have to jump through some hoops for >>some kinds of media playback. >> >>If you insist on paying for an inferior Microsoft operating sytem, as an >>alternative to Norton I suggest AntiVir or Clamwin. AntiVir is free as in >>beer, Clamwin free as in beer and free as in speech (it's GPL'd). The downside >>is that Clamwin doesn't include a real time scanner--you have to tell it >>to scan something. I think the XP firewall is pretty decent, I use it on >>my machines but I also have my own firewall built into my home router. I >>think Zonealarm mostly just scares people. >> >>But try Ubuntu, after a little bit of kicking around you'll be thrilled >> >> >you > > >>did. >> >>TCB >> >>"Rod Lincoln" <a class="moz-txt-link-rfc2396E" href="mailto:rlincoln@nospam.kc.rr.com"><rlincoln@nospam.kc.rr.com> >>wrote: >> >> >> Here's the deal. I've been running Norton Systemworks 2002 >> >> >on my internet > > >>comp, renewing the antivirus subscription every year. My subscription ran >>out yesterday and upon trying to renew it, I was informed it was no longer >>supported, and I had to upgrade to whatever 2006. Since I've read some of >>you are down on Norton, I thought I'd ask for opinions on what to switch >>to. Sooooo....what do you guys like? >> >>I don't use the norton firewall. I use the free Zone Alarm one. >>I kind of like the system tune up thing that Norton did. I don't think I've >>had a crash...ever, on this comp. >>Rod >> >> >> >> >> >> >> >> >> >> > > > --------------000507050708090802050105 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit thanks. I agree about Norton. It's raped my system before, then I found a little app that finds all the Norton entries and files and gets rid of them, which sure saved some head aches. j TCB wrote: <blockquote cite="mid4474552d$1@linux" type="cite"> AVG is roughly on par with AntiVir, and is a similar licensing scheme. They have a free (as in beer) version and a pay version. Clamwin is actually free (as in libre or speech) software, source code and all. I'd say all three work at least as well as the pay software and I'd take any one over Norton. TCB jef knight <a class="moz-txt-link-rfc2396E" href="mailto:thestudio@allknightmusic.com">&lt;thestudio@allknightmusic.com&gt; wrote: hey, is this stuff superior to AVG? j TCB wrote: Best way to deal with viruses and network attacks? Install Ubuntu on it. BY <blockquote type="cite&quot
earch=dragonforce" target="_blank"> http://www.youtube.com/watch?v=njDtlnNkjko&search=dragon force">http://www.youtube.com/watch?v=njDtlnNkjko&amp;search=dragonforce --------------070202010701050703090803--This is a multi-part message in MIME format. --------------050205080001060804080403 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I think that was what actually made the song win, in part, unfortunately. Around here when we hear a band trying to be so commercial that their music is parodying itself we call it "toy music"...fine for kids but don't take it on the Autobahn.... j Don Nafe wrote: >Maybe it's just me but does anyone else thing the whole groove i.e. what the >drummer is playing, is all wrong for that song > >death metal meets 80's hair band...doesn't work for me > >Don > > >"DC" <dc@shreddersinhell.org> wrote in message news:4473679f$1@linux... > > >>Yeow! >> >> http://www.youtube.com/watch?v=njDtlnNkjko&search=dragon force >> >> > > > > --------------050205080001060804080403
"mic" = &amp;=20 "vocal" &amp; "preamp" - all the usual stuff -&nbsp; and I find an=20 interview where he said for lead vox they usually use a Sanken = CU-44x;=20 shit, that's a $2,300 mic - I can't be buying one of THOSE just for = this=20 project, but it's also not a tube mic.... hmmm..... it also said = they used=20 a Tube- Tech MP1A mic pre and a Neve 1173 for EQ going to track, = and=20 an 1176 for compression. So with several non-tube LDC's to = choose=20 from here (although every voice is different, and I think one of my = tube=20 mics would've gotten this particular guy closer), and with a = tube preamp=20 that also has EQ going to track (the 737), and with a VERY = versatile=20 compressor in the Distressor, I think there's a pretty good chance = that=20 after some dicking around with various settings, we could've gotten = this=20 guy right in the ballpark going to track - despite not having the = exact=20 same signal chain, having some similar elements therein can often=20 get you close - if he had just mentioned this specific Korn = track or=20 specific vocal tone earlier. ARRRGH! Now it's going to be a matter = of=20 having to try to get there with plugin's. Neil I choose Polesoft Lockspam to fight spam, = and=20 you? <A=20 href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer= ..html&nbsp;&nbsp;&nbsp; ------=_NextPart_000_004E_01C68187.7F4CDE70--Hi to All... For those who use FXpansion3 and nudge with their audio tracks you can use the following nudge and ommit the sampleslide plugin ... 3x 100 (3x 4480 =13440) 1x 50 (1x 2240 = 2240) 1x 10 (1x 480 = 480) 1x 5 (1x 240 = 240) So the total is 13440+2240+480+240= 16400 That is 17 samples away from 16383 for normal UAD1 plug and only 4 samples for a Pultec Uad1 plugin Even 17 samples is not much for a latency to need sampleslide because you can nudge ALL your drumtracks (the ones not using actually a UAD1 plugin with UAD plugin compensator) Hope this will help even someone out there... Regards, DimitriosThis is a multi-part message in MIME format. ------=_NextPart_000_0067_01C68188.44FEC340 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Ab, Very nice! Loved it all. Nice analog tape sound too. Those were the good old days huh?!~! Tom "Ab" <ab.vangoor@wanadoo.fr> wrote in message news:44783079$1@linux... Oh, the guy on LV and drums well...that's me. "Ab" <ab.vangoor@wanadoo.fr> wrote: > >I hope you don't mind me sharing this with you.=20 > http://youtube.com/watch?v=3DQW_6iwi1Zs0&search=3Derwin% 20musper=20 >Our first hitsingle in the Netherlands when we still had hair. >The guy on Fender rhodes is Erwin Musper who nowadays owns a studio = in Cincinnati. >http://www.studiothebambooroom.com/ >Shortly I came back in contact with him and we decided to do some new = stuff >on >which I'm working now. I guess some relationships never end, no = matter the >distance. > >Greetings, > >Ab I choose Polesoft Lockspam to fight spam, and you? http://www.polesoft.com/refer.html ------=_NextPart_000_0067_01C68188.44FEC340 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <META http-equiv=3DContent-Type content=3D"text/html; = charset=3Diso-8859-1"> Ab, Very nice!&nbsp; Loved it all.&nbsp; = Nice analog=20 tape sound too. Those were the good old days = huh?!~! Tom &nbsp; <BLOCKQUOTE=20 style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> "Ab" &lt;<A=20 href=3D"mailto:ab.vangoor@wanadoo.fr">ab.vangoor@wanadoo.fr&gt; = wrote in=20 message <A=20 = href=3D"news:44783079$1@linux">news:44783079$1@linux... Oh, = the guy=20 on LV and drums well...that's me. "Ab" &lt;<A=20 href=3D"mailto:ab.vangoor@wanadoo.fr">ab.vangoor@wanadoo.fr&gt;=20 wrote: &gt; &gt;I hope you don't mind me sharing this with you.=20 = &gt;http://youtube.com/watch?v=3DQW_6iwi1Zs0&amp;search=3Derwin%20mus= per=20 &gt;Our first hitsingle in the Netherlands when we still had=20 hair. &gt;The guy on Fender rhodes is Erwin Musper who nowadays = owns a=20 studio in=20 Cincinnati. &gt;http://www.studiothebambooroom.com/ &gt;Shortly = I came=20 back in contact with him and we decided to do some new=20 stuff &gt;on &gt;which I'm working now. I guess some = relationships never=20 end, no matter=20 = the &gt;distance. &gt; &gt;Greetings, &gt; &gt;Ab </BLO= CKQUOTE> I choose Polesoft Lockspam to fight spam, = and=20 you? <A=20 href=3D"http://www.polesoft.com/refer.html"><
e, each card can be bought for around 900$-1000-1100$ used and with three cards you can have 45 dsps !!!!!!! Ok back to reality... One Pulsar card with 6 dsps is adequate for mixing a song and using some great plugins as I mentioned. The same card can be configured for a synth recording platforma... I am happy to say more if I see anyone interested... Regards, DimitriosNeil, I found it to be uneven in respect to if I played the bass up and down the next at the same volume the sansamp did not reproduce that. On the SVPCL it did, very evenely. Regarding interpreting the dynamics, I didn't get much of that feedback at all. I always played the sansamp on full blend and full output and could never get a solid -10db even with active electronics. Maybe I DID have a bad one. Just one bad capacitor could have hosed it up.hurry, i gotta pee Rob Arsenault" <mani2@nbnet.nb.ca> wrote: >Yes DC, please do share...!! > > >"DC" <dc@spammersinhell.com> wrote in message news:4477dc50$1@linux... >> >> Hey all, >> >> I am discovering some *amazing* stuff trying a multiband >> split/compressor in Paris. THANK YOU to Sakis and Deej for the >> help with this. >> >> More to follow, but I am getting results, on very familiar material >> that are just making me grin from ear to ear... >> >> As soon as I get this live disc out the door I will post the details. >> >> Paris lives! >> >> DC >> > >Hey DJ, This is what I use here... LV61S: http://www.canare.com/index.cfm?objectid=0D01B44F-3048-7098- AF1C088D26068A8A BCP Plugs: http://www.canare.com/index.cfm?objectid=7222AEAE-3048-7098- AF30E16BAE049F58 AES Cable (110 Ohm): http://www.canare.com/index.cfm?objectid=EDD1B80A-3048-7098- AFD22323EAB88532 I get great results with the LV61S coax for word clock and SPDIF. The only thing is, you wi
iving/sending signal from the external hardware effect in SX and everything is in sync again........or use a UAD-1 plugin on the send and route that through the Paris aux, use it as a send effect on the track that is being processed with an external effect on the insert and all is OK. Looks like there has to be an either/or situation s to having a VST plugin on the insert or the send. Two external FX and there is no delay compensation. Makes sense. What isn't making sense (at least right now) is that if I add a VST plugin either before opr after the external processor on the insert or send, the delay compensation still doesn't work. Well, anyway, it's still possible to use VST FX in Paris as I posted earlier. Just don't try using hardware on the send and return in Paris and them routing it through a Paris aux. It's a bust. I'll get to the bottom of this.and find a kludge......never fear. ;O) DeejWell, I've been having some major freezeups in Cubase. I thought it might be clock cables of unequal length. I was using a Behringer AES>Spdif format converter on my quantec, interfacing digitally with one of my RME cards. I just pulled the Quantec off
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